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/albums/relatedRelated Albums
Get albums related to an album, playlists it appears on and its other versions.
QUERY PARAMS
Album to look up: an Apple album id, a UPC/EAN barcode, or any shazam.com / music.apple.com album link.
Examples:
- ID:
1499378108 - URL:
https://music.apple.com/us/album/after-hours/1499378108
2-letter Apple Music storefront the metadata is read from. Shazam keys, ISRCs and Apple ids are the same everywhere.
Default: US
Allowed values: any ISO 3166-1 alpha-2 code (US, GB, IN, DE, FR, JP, ...)
Language for names, genres and editorial text.
Default: en-US
Allowed values: an ISO 639-1 code (en, es, fr) or a locale tag (en-US, pt-BR, ja-JP)
{
"apple_id": "1499378108",
"name": "After Hours",
"country": "US",
"related_albums": [
{
"type": "album",
"id": "1492785997",
"name": "JACKBOYS",
"link": "https://music.apple.com/us/album/jackboys/1492785997",
"artist_name": "JACKBOYS & Travis Scott",
"release_type": "compilation",
"record_label": "Cactus Jack/Epic",
"copyright": "℗ 2019 Epic Records. With Cactus Jack.",
"upc": "886448209393",
"release_date": "2019-12-27",
"track_count": 7,
"genres": [
"Hip-Hop/Rap",
"Music",
"Dirty South",
"Rap"
],
"audio_traits": null,
"is_single": false,
"is_compilation": true,
"is_complete": true,
"is_prerelease": false,
"is_mastered_for_itunes": true,
"is_explicit": true,
"is_clean_version": false,
"description": {
"title": null,
"tagline": null,
"short": "A seven-track pack from Travis Scott’s inner circle.",
"full": "The secondary narrative of Travis Scott’s career is the vibes the Houston-bred producer and MC continuously provides for friends and collaborators. That same magic is in full effect on the JACKBOYS compilation, where big Travis Scott energy unites artists from his Cactus Jack label such as Sheck Wes and Don Toliver with like-minded voices Young Thug and Pop Smoke. At just seven tracks, the pack is a relatively short trip into the JACKBOYS world, but an otherwise welcomed reminder of Scott’s curatorial expertise."
},
"artwork": {
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},
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},
{
"type": "album",
"id": "1504810899",
"name": "Dream Awake",
"link": "https://music.apple.com/us/album/dream-awake/1504810899",
"artist_name": "Black Atlass",
"release_type": "album",
"record_label": "Republic Records",
"copyright": "℗ 2020 XO Records, LLC and Republic Records, a division of UMG Recordings, Inc.",
"upc": "00602508862113",
"release_date": "2020-04-03",
"track_count": 12,
"genres": [
"R&B/Soul",
"Music"
],
"audio_traits": null,
"is_single": false,
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"is_complete": true,
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"is_mastered_for_itunes": true,
"is_explicit": true,
"is_clean_version": false,
"description": {
"title": null,
"tagline": null,
"short": "The Montreal singer’s second album sounds like a purple midnight.",
"full": "R&B in the 2010s has come to be defined by moody atmospherics—due in no small part to The Weeknd, whose debut mixtape proved a game-changer. It's no surprise, then, that one of the signees to his XO imprint is Black Atlass, another singer whose falsetto lives in that same hazy vein. The Montreal native grew his profile in the fashion world (in 2017, he was the face of True Religion), but music was always the undercurrent. His second album, Dream Awake, basks in the shadowy reverb of his production and the delicate breathiness of his vocals to create an album that feels like a purple-tinted midnight. He's at his best on songs like “Show Me” that creep along, building out an aura that is equal parts mysterious and lusty. But Black Atlass, as if to follow in his labelmate's footsteps, also displays an inclination towards the poppier end of the spectrum: “By My Side” and “On Your Mind” offer glimpses of his potential futures."
},
"artwork": {
"link": "https://is1-ssl.mzstatic.com/image/thumb/Music114/v4/4a/9a/cf/4a9acf35-b482-b91d-ca2f-75b052e1aa87/20UMGIM17184.rgb.jpg/3000x3000bb.jpg",
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},
{
"type": "album",
"id": "1477880265",
"name": "Hollywood's Bleeding",
"link": "https://music.apple.com/us/album/hollywoods-bleeding/1477880265",
"artist_name": "Post Malone",
"release_type": "album",
"record_label": "Republic Records",
"copyright": "℗ 2019 Republic Records, a division of UMG Recordings, Inc.",
"upc": "00602508265372",
"release_date": "2019-09-06",
"track_count": 17,
"genres": [
"Hip-Hop/Rap",
"Music"
],
"audio_traits": null,
"is_single": false,
"is_compilation": false,
"is_complete": true,
"is_prerelease": false,
"is_mastered_for_itunes": true,
"is_explicit": true,
"is_clean_version": false,
"description": {
"title": null,
"tagline": null,
"short": "Travis Scott, SZA, and Ozzy Osbourne guest on his most diverse album yet.",
"full": "“I’m not trying to make anything massive, I’m not trying to make hit records,” Post Malone tells Apple Music’s Zane Lowe. It’s somewhat unconvincing coming from one of the most popular artists on the planet, but whatever he’s doing, it’s working. His third full-length album, Hollywood’s Bleeding, is bright and adventurous. Sure, it’s filled with all the flexing and bravado he’s known for, and features from Meek Mill, Travis Scott, Young Thug, Swae Lee, and more prove that Post hasn’t veered too far from hip-hop. But it’s also more sentimental, gentle, and pop-focused than ever. “Allergic” and “A Thousand Bad Times” are bouncy and melodic, and “I’m Gonna Be” is a joyous celebration of having fun and living your own truth.\n\nIt’s fun to hear about Post’s opulent lifestyle, but he knows his fans, and he knows how to connect with them on a more grounded level. “It means a lot that if somebody is hundreds of thousands of miles away, they can sit and relate to the music,” he says. “And they come up to me to say something like, ‘Hey, I don’t want a picture, I just wanted to say your song saved my life.’” Beneath the Versace boxers and mink coats, Post is clearly wounded, and breakup tracks abound on the album’s more down-to-earth, relatable side. Future and Halsey feature on album highlight “Die For Me,” a slick, bitter attack on a lying ex-lover. Each artist takes turns airing dirty laundry and singing the chorus: “Said you’d take a bullet, told me you would die for me/I had a really bad feeling you been lying to me.” “Staring at the Sun” is a gorgeous synth-pop collaboration with SZA about the final throes of a doomed relationship: “If you keep staring at the sun, you won’t see what you have become/This can’t be everything you thought it was, blinded by the thought of us.”\n\n“I want to do something weird and funky,” he tells Lowe, preparing listeners for the album’s more surprising moments. Kanye West cowrote (but doesn’t appear on) “Internet,” a rejection of social media and technology which blooms into a majestic orchestral arrangement. But the most unlikely collaboration on the album—and possibly of 2019 as a whole—can be found on “Take What You Want,” featuring Travis Scott and Ozzy Osbourne. Scott’s smoky Auto-Tune isn’t the most natural accompaniment to an eerie Black Sabbath-esque riff and scorching guitar solo, but, somehow, it works."
},
"artwork": {
"link": "https://is1-ssl.mzstatic.com/image/thumb/Music115/v4/7b/1b/1b/7b1b1b0b-7ce2-b223-f9e0-8e36abe51877/19UMGIM78325.rgb.jpg/3000x3000bb.jpg",
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"height": 3000,
"background_color": "#171715"
},
"editorial_artwork": null,
"motion_artwork": null,
"classical_link": null
},
{
"type": "album",
"id": "1541392718",
"name": "Nobody Is Listening",
"link": "https://music.apple.com/us/album/nobody-is-listening/1541392718",
"artist_name": "ZAYN",
"release_type": "album",
"record_label": "RCA Records Label",
"copyright": "℗ 2021 RCA Records, a division of Sony Music Entertainment",
"upc": "886448777052",
"release_date": "2021-01-15",
"track_count": 11,
"genres": [
"Pop",
"Music"
],
"audio_traits": null,
"is_single": false,
"is_compilation": false,
"is_complete": true,
"is_prerelease": false,
"is_mastered_for_itunes": true,
"is_explicit": true,
"is_clean_version": false,
"description": {
"title": null,
"tagline": null,
"short": "Actually, we're all listening, because this is ZAYN’s boldest album yet.",
"full": "It’s a shame if Zayn Malik actually believes Nobody Is Listening, because they should be. Since departing One Direction in 2015, the comparatively low-profile British Pakistani singer has steadily delivered high-concept pop albums that take risks, bare emotions, and defy expectations. Mind of Mine transformed fluorescent, Frank Ocean-inspired R&B into a hazy after-hours head trip, and the heavily loaded Icarus Falls made intimate love songs into mythic voyages. Here, on his third solo LP, he finally realizes his full potential as a shape-shifting pop auteur, dialing the production way up and fine-tuning his falsetto so that it melts into every bar.\n\nMalik’s past projects have drawn comparisons to big-budget R&B/pop stars like Justin Timberlake and Justin Bieber, but this album feels against the grain and quietly experimental, as if he’s spent most of lockdown vibing to The 1975 and Daniel Caesar. Whatever he’s been absorbing is working: The songs here are glossy without being obvious, and as a vocalist, he’s never sounded so dazzling and bold.\n\nSonically, he manages to cover some serious ground. The introspective poetry of “Calamity” bounces right into “Better,” a hopeful soul-pop tune that would make John Legend proud. And Malik’s hushed, coy delivery on “When Love’s Around,” a fluttery duet with Syd from The Internet, is quickly outshined by his whinnies and howls on the belt-it-out ballad “Connexion.” But the production—playful and unexpected—is especially fun: “River Road” is stripped back like a barroom acoustic cut, while the megawatt “Sweat” picks right up where Phil Collins’ “In the Air Tonight” left off."
},
"artwork": {
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},
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},
{
"type": "album",
"id": "1453895416",
"name": "Hyperion",
"link": "https://music.apple.com/us/album/hyperion/1453895416",
"artist_name": "Gesaffelstein",
"release_type": "album",
"record_label": "Columbia",
"copyright": "℗ 2019 Gesaffelstein, under exclusive license to Columbia Records, a Division of Sony Music Entertainment",
"upc": "886447435878",
"release_date": "2019-03-08",
"track_count": 10,
"genres": [
"Electronic",
"Music"
],
"audio_traits": null,
"is_single": false,
"is_compilation": false,
"is_complete": true,
"is_prerelease": false,
"is_mastered_for_itunes": false,
"is_explicit": true,
"is_clean_version": false,
"description": {
"title": null,
"tagline": null,
"short": "Warm analog synths yield deathly cold electro.",
"full": "Gesaffelstein came to fame with a darkly glamorous spin on techno: the suave international man of mystery to Daft Punk’s chrome disco-bots. Six years after the French producer brought EBM to Kanye’s “Black Skinhead,” he returns with an even broader sound than the one he displayed on his 2013 debut album, Aleph. No stranger to pop royalty, he corrals The Weeknd for “Lost in the Fire,” a velvety expanse of darkwave R&B, and he recruits Pharrell for “Blast Off,” a throwback electro-funk epic that’s just begging for soundtrack placement. Even HAIM turns up, on “So Bad,” bringing a ray of California sunshine to Gesaffelstein’s cavernous, claustrophobic sound. What might impress the most is the purism of his strictly electronic fugues: “Hyperion” is pure flickering analog dread, “Reset” offers a gothic twist on trip-hop, and “Humanity Gone” closes the album with nearly 11 minutes of funereal dirge, channeling ’70s synth prog through the austerity of 21st-century minimalism at its most stylish."
},
"artwork": {
"link": "https://is1-ssl.mzstatic.com/image/thumb/Music116/v4/48/5e/f9/485ef94d-5b93-9e23-6899-017b9771c744/886447435878.jpg/3000x3000bb.jpg",
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"height": 3000,
"background_color": "#000000"
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},
{
"type": "album",
"id": "1596373962",
"name": "Scenic Drive (The Tape)",
"link": "https://music.apple.com/us/album/scenic-drive-the-tape/1596373962",
"artist_name": "Khalid",
"release_type": "album",
"record_label": "Right Hand Music Group, LLC/RCA Records",
"copyright": "℗ 2021 2021 RCA Records, in conjunction with Right Hand Music Group",
"upc": "886448146797",
"release_date": "2021-12-02",
"track_count": 9,
"genres": [
"R&B/Soul",
"Music"
],
"audio_traits": null,
"is_single": false,
"is_compilation": false,
"is_complete": true,
"is_prerelease": false,
"is_mastered_for_itunes": true,
"is_explicit": true,
"is_clean_version": false,
"description": {
"title": null,
"tagline": null,
"short": "The singer gets in his R&B bag, and it’s an absolute triumph.",
"full": "Since Khalid first debuted in 2017, he's been an emblem of the ever blurry line between pop and R&B, naturally resulting in some fans leaning more towards one version of him than the other. Scenic Drive is proudly for the latter group. The first songs, “Present” and “Backseat,” are solo outings, with the singer displaying a savvy proficiency in both the nostalgic past and the fluid present. But it's when he calls on some heavy-hitter peers for the remaining tracks that we're really reminded of his bona fides.\n\n“Retrograde” is a wounded fame-is-hard-but-love-is-harder jam that features Lucky Daye and 6LACK—with whom he's had a magnetic artistic chemistry since 2018's “OTW”—and duets with QUIN (“Brand New”) and Kiana Ledé (“Voicemail”) are tender in their intertwined melodies. On “Open,” he's joined by Majid Jordan for a sensual slow-burner, while “All I Feel Is Rain,” with JID, and “Scenic Drive,” with Smino and Ari Lennox, provide still soulful injections of hip-hop. Khalid's collaborators all have starpower on their own, but he's never outshined here; instead, he uses the unique qualities of his voice to highlight those of his guests to striking effect. For an artist who introduced himself as an “American teen,” Scenic Drive is silky smooth maturation."
},
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},
{
"type": "album",
"id": "1513037920",
"name": "High Off Life",
"link": "https://music.apple.com/us/album/high-off-life/1513037920",
"artist_name": "Future",
"release_type": "album",
"record_label": "Epic/Freebandz",
"copyright": "℗ 2020 Epic Records, a division of Sony Music Entertainment. With Freebandz.",
"upc": "886448469605",
"release_date": "2020-05-15",
"track_count": 21,
"genres": [
"Hip-Hop/Rap",
"Music",
"Rap",
"Dirty South"
],
"audio_traits": null,
"is_single": false,
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"is_mastered_for_itunes": false,
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"is_clean_version": false,
"description": {
"title": null,
"tagline": null,
"short": "One of modern rap’s most influential MCs revels in his greatness.",
"full": "For someone who spent the better part of his career celebrating the chaos his drug use enabled, the title of Future’s eighth studio album, High Off Life, reads like an attempt at a rebrand. But it isn’t. For one, he’ll claim to still very much be getting “high off” drugs. But further to that, life as Future knows it is the same high-octane carousel ride it’s been since he began telling us his story, spinning continually through declarations of invincibility (“Touch the Sky,” “Solitaires,” “Trillionaire”), reflections of past trauma (“Posted With Demons,” “One of My,” “Pray for a Key”), encounters with beautiful and exclusive women (“Too Comfortable,” “Outer Space Bih”), and, yes, heavy drug use (“Trapped in the Sun,” “HiTek Tek”). Future on High Off Life is who he told us he was on the title track of his second album, Honest: “I'm a rock star for life, I'm just being honest.”"
},
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},
{
"type": "album",
"id": "1662174504",
"name": "PARTYMOBILE",
"link": "https://music.apple.com/us/album/partymobile/1662174504",
"artist_name": "PARTYNEXTDOOR",
"release_type": "album",
"record_label": "OVO Sound",
"copyright": "℗ 2020 OVO Sound under exclusive license to Santa Anna Label Group",
"upc": "093624894070",
"release_date": "2020-03-27",
"track_count": 15,
"genres": [
"R&B/Soul",
"Music"
],
"audio_traits": null,
"is_single": false,
"is_compilation": false,
"is_complete": true,
"is_prerelease": false,
"is_mastered_for_itunes": false,
"is_explicit": true,
"is_clean_version": false,
"description": {
"title": null,
"tagline": null,
"short": "Party continues: One of modern R&B’s most influential voices returns.",
"full": "PARTYNEXTDOOR’s PARTYMOBILE comes to fans a whopping four years after his last full-length, PARTYNEXTDOOR 3 (P3). While it breaks the naming convention of the previous three, little else has changed in the world of the man credited with ushering in a new era of moody and straight-talk-dependent R&B. Party is here who Party was then—a masterful songwriter and under-regarded vocalist. He would rather tell a lover the truth about his feelings—or, in many cases, the absence of—than string them along.\n\nSolemnity is something of a default for the singer, his curtness meeting its apex on songs like “SHOWING YOU” (“You’re still here for me/Even though I broke your heart a million times”) and “SAVAGE ANTHEM,” where he sings, “Don’t hold your breath/Don’t wait on my love.” OVO head honcho Drake pops up on “LOYAL” (as well as its remix, also featuring Bad Bunny), and yet the project’s most radio-friendly moment comes in the form of the Rihanna collaboration “BELIEVE IT,” where even in trying to atone for his misdeeds Party sings, “Hey, either believe me or you don’t.”"
},
"artwork": {
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"width": 1500,
"height": 1500,
"background_color": "#af7c46"
},
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},
{
"type": "album",
"id": "1542102907",
"name": "EL ÚLTIMO TOUR DEL MUNDO",
"link": "https://music.apple.com/us/album/el-%C3%BAltimo-tour-del-mundo/1542102907",
"artist_name": "Bad Bunny",
"release_type": "album",
"record_label": "Rimas Entertainment LLC.",
"copyright": "℗ 2020 Rimas Entertainment LLC",
"upc": "195497640560",
"release_date": "2020-11-27",
"track_count": 16,
"genres": [
"Urbano latino",
"Music",
"Latin"
],
"audio_traits": null,
"is_single": false,
"is_compilation": false,
"is_complete": true,
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"is_mastered_for_itunes": false,
"is_explicit": true,
"is_clean_version": false,
"description": {
"title": null,
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"short": "“It’s as if I spent my final tour of 2032 advancing the word from 2020.”",
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