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        "short": "The hypnotic follow-up to the R&B enigma’s pop breakthrough.",
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        "short": "Clever production illuminates the singer’s dark and absorbing fourth LP.",
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        "short": "The R&B antihero’s ambitious compilation cloaks pop ambition in nihilism.",
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        "tagline": "Spatial Audio",
        "short": "The singer jump-starts the year with a new collection in Spatial Audio.",
        "full": "“You are now listening to 103.5 Dawn FM. You’ve been in the dark for way too long. It’s time to walk into the light and accept your fate with open arms. Scared? Don’t worry. We’ll be there to hold your hand and guide you through this painless transition. But what’s the rush? Just relax and enjoy another hour of commercial ‘free yourself’ music on 103.5 Dawn FM. Tune in.” \n\nThe Weeknd's previous album After Hours was released right as the world was falling into the throes of the pandemic; after scrapping material that he felt was wallowing in the depression he was feeling at the time, Dawn FM arrives as a by-product of—and answer to—that turmoil. Here, he replaces woeful introspection with a bit of upbeat fantasy—the result of creatively searching for a way out of the claustrophobic reality of the previous two years. With the experience of hosting and curating music for his very own MEMENTO MORI radio show on Apple Music as his guiding light, Dawn FM is crafted in a similar fashion, complete with a DJ to set the tone for the segments within. “It’s time to walk into the light and accept your fate with open arms,” the host, voiced by Jim Carrey, declares on the opening track. “Scared? Don't worry.” \n\nIndeed, there is nothing to fear. The Weeknd packs the first half with euphoric bursts that include the Swedish House Mafia-assisted “How Do I Make You Love Me?” and “Sacrifice.” On the back half, he moves into the more serene waters of “Is There Someone Else?” and “Starry Eyes.” Despite the somewhat morose album cover, which reflects what many feel like as they wade through the seemingly endless purgatory of a life dictated by a virus, he’s aiming for something akin to hope in all of this gloom."
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      "name": "Hurry Up Tomorrow",
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      "artist_name": "The Weeknd",
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        "short": "A haunting (maybe?) final statement about fame’s power to destroy.",
        "full": "On what was meant to be the last date of his 2022 tour, The Weeknd took the stage at Inglewood, California’s SoFi Stadium, but when he opened his mouth to sing for 80,000 screaming fans, nothing came out. Over the past 14 years, Abel Tesfaye has experienced what you might call pop’s glow-up of the century: When he emerged from obscurity as the faceless voice behind 2011’s noir-ish House of Balloons mixtape, nobody could have guessed that he’d be headlining the Super Bowl Halftime Show a decade later. But that moment onstage triggered what Tesfaye has since described as a breakdown, inspiring a period of intense reflection on his life and career—and Hurry Up Tomorrow, his sixth studio album.\n\nTesfaye has called Tomorrow the final chapter in the trilogy he began with 2020’s After Hours, the album that launched him into a new stratosphere of pop success, and continued with 2022’s high-concept Dawn FM. Continuing the narrative of its semi-autobiographical narrator’s journey through a dark night of the soul, Tomorrow doubles as an allegory about fame’s power to destroy: The curtain rises, and it’s all downhill from there. He longs for a time “when my blood never tasted like wine,” he wails over the night-drive synth-pop of “Take Me Back to LA,” and diagnoses fame as a disease on the glittering “Drive.” He’s ready to leave it all behind on “Wake Me Up,” a collaboration with French duo Justice: “No afterlife, no other side,” he sings, sounding entranced by the thought.\n\nIts 22 tracks play out like the swan song to end all swan songs, joined by a murderer’s row of guests: Future lends a layer of scuzz to the deceptively sweet R&B slow-burner “Enjoy the Show,” Anitta taps in for the nocturnal baile funk of “São Paulo,” and frequent collaborator Lana Del Rey makes an appearance on “The Abyss,” where ominous lyrics like, “What’s the point of staying? It’s going up in flames” hit even harder after LA’s devastating fires in January 2025. Tesfaye has dropped repeated hints that this album won’t just close out the trilogy, but also his existence as The Weeknd. If that’s the case, “Without a Warning” encapsulates the arc of an artist who never let success get in the way of his ambition: “Take me to a time/When I was young/And my heart could take the drugs and heartache without loss/But now my bones are frail/And my voice fails/And my tears fall without a warning/Either way, the crowd will scream my name.”"
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      "name": "Moth To A Flame - Single",
      "link": "https://music.apple.com/us/album/moth-to-a-flame-single/1590610692",
      "artist_name": "Swedish House Mafia & The Weeknd",
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      "record_label": "Republic Records",
      "copyright": "℗ 2021 SSA Recording, LLP, under exclusive license to Republic Records, a division of UMG Recordings, Inc.",
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      "release_date": "2021-10-22",
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      "name": "After Hours (Deluxe)",
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        "short": "Clever production illuminates the singer’s dark and absorbing fourth LP.",
        "full": "\"You can find love, fear, friends, enemies, violence, dancing, sex, demons, angels, loneliness, and togetherness all in the After Hours of the night.” —The Weeknd\n\nEver since The Weeknd emerged in 2011 with the mysterious and mesmerizing House of Balloons, the Toronto native has kept us on our toes: There was a trio of druggy, lo-fi R&B mixtapes, the Top 40 cake-topper “Can’t Feel My Face,” and the glossy, Daft Punk-assisted rebirth that came with 2016’s Starboy. On After Hours, his fourth studio album, the singer returns to early-era Abel Tesfaye—the fragile falsetto, the smoky atmospheres, the whispered confessions. But here, they’re bolstered by some seriously brilliant beatmaking: muted, shuffling drum ’n’ bass (“Hardest to Love”), whistling sirens and staccato trap textures (“Escape From LA\"), and flickers of French touch, warped dubstep, and Chicago drill that have been stretched and bent into abstractions. It’s as if Tesfaye spent the past four years scouring underground warehouse parties for rhythms that could make his low-lit R&B balladry feel hedonistic, thrilling, and alive (and the above statement he sent Apple Music about the album seems to confirm that). When the album does lift into moments of brightness, they’re downright radiant: “Scared to Live” is sweeping and sentimental, fit for the final scene in a romantic comedy, and “Blinding Lights”—a Max Martin-produced megahit boosted by a Mercedes-Benz commercial—is about as glitzy, glamorous, and gloriously ’80s as it gets."
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      "name": "Popular (feat. Playboi Carti) [Music from the HBO Original Series The Idol] - Single",
      "link": "https://music.apple.com/us/album/popular-feat-playboi-carti-music-from-the-hbo/1691920669",
      "artist_name": "The Weeknd & Madonna",
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      "name": "K-POP - Single",
      "link": "https://music.apple.com/us/album/k-pop-single/1698529514",
      "artist_name": "Travis Scott, Bad Bunny & The Weeknd",
      "release_type": "single",
      "record_label": "Cactus Jack / Epic",
      "copyright": "℗ 2023 Cactus Jack Records under exclusive license to Epic Records, a division of Sony Music Entertainment",
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    {
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      "name": "Kiss Land",
      "link": "https://music.apple.com/us/album/kiss-land/1422667786",
      "artist_name": "The Weeknd",
      "release_type": "album",
      "record_label": "CP Records",
      "copyright": "℗ 2013 The Weeknd XO, Inc., Marketed by Universal Republic Records, a Division of UMG Recordings, Inc.",
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        "Contemporary R&B"
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        "full": "After the huge success of his Trilogy compilation, The Weeknd, a.k.a. Abel Tesfaye, picks apart the loneliness of his newfound fame on the fraught Kiss Land. The songs in his self-described “horror movie” flit between chilly electronics on “The Town,\" skewed sexual politics on the excellent, Portishead-sampling “Belong To the World,” and a pervading sense of ennui, which means that even the lighter moments—like the pop bounce of “Wanderlust” or the Drake-assisted crew anthem “Live For”—are cloaked in a compelling, unshakeable paranoia."
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      "name": "Take My Breath - Single",
      "link": "https://music.apple.com/us/album/take-my-breath-single/1579408007",
      "artist_name": "The Weeknd",
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      "record_label": "XO / Republic Records",
      "copyright": "℗ 2021 The Weeknd XO, Inc., marketed by Republic Records, a division of UMG Recordings, Inc.",
      "upc": "00602438731381",
      "release_date": "2021-08-06",
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        "short": "A splashy dance-pop jam from the singer and Max Martin.",
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