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/artists/detailsArtist Details
Get an artist profile: bio, hometown, genres, links, top songs, latest release, albums, similar artists and tour.
QUERY PARAMS
Artist to look up: an Apple artist id or any shazam.com / music.apple.com artist link.
Examples:
- ID:
479756766 - URL:
https://www.shazam.com/artist/the-weeknd/479756766
2-letter Apple Music storefront the metadata is read from. Shazam keys, ISRCs and Apple ids are the same everywhere.
Default: US
Allowed values: any ISO 3166-1 alpha-2 code (US, GB, IN, DE, FR, JP, ...)
Language for names, genres and editorial text.
Default: en-US
Allowed values: an ISO 639-1 code (en, es, fr) or a locale tag (en-US, pt-BR, ja-JP)
{
"apple_id": "479756766",
"name": "The Weeknd",
"link": "https://www.shazam.com/artist/the-weeknd/479756766",
"apple_music_link": "https://music.apple.com/us/artist/the-weeknd/479756766",
"genres": [
"R&B/Soul"
],
"genre": "R&B/Soul",
"hometown": "Toronto, ON, Canada",
"origin": null,
"born_or_formed": null,
"is_group": null,
"bio": "“I’m a chill person. That guy is who I am, but it is who I am to myself and in my writing. Sometimes, you take him and then you create more, and then it becomes this beast. You add more to him, and then it’s uncontrollable—its own character. It’s like Scarface, the villain: It’s horrible, but you can’t stop looking at it,” Abel Tesfaye—aka The Weeknd—told Apple Music about the persona behind his music.\n\nThe Toronto singer—Ethiopian by heritage (his parents immigrated to Canada in the late ’80s, just before he was born)—took off in 2011 with a string of mixtapes (later collected as 2012’s Trilogy) that forged cavernous, falsetto-driven R&B with narratives drenched in drugs, sex, and other regrettable decisions—a sound both sensuous and detached, featherlight and dead heavy.\n\nHis music has become a symbol of hedonism pushed to bleak excess, with a series of albums—including 2015’s Grammy-winning Beauty Behind the Madness, 2016’s multiplatinum Starboy, and 2020’s dense and atmospheric After Hours—whose narrators can’t seem to say no even if they hate themselves for it later.\n\nThough he didn’t release a new album in 2021, he was a constant part of the cultural conversation, dropping a slew of singles, performing at the Super Bowl and on Saturday Night Live (think: “Ladies and gentlemen, The Weeknd”), and winning the Apple Music Award for Global Artist of the Year.\n\nAfter a banner 2021, he unleashed 2022’s Dawn FM, a cross-decade synth-pop exhibition for the ages. Then, 2025’s Hurry Up Tomorrow ended his unofficial trilogy that began with After Hours in grand fashion with guest appearances by Florence + the Machine, Playboi Carti, Anitta, Future, Lana Del Rey, Travis Scott, and Giorgio Moroder.\n\nAnd though his music has gotten a little brighter over time, the prevailing mood remains heavy, even unsettling—the ride you want more of even when you’ve had too much.",
"badges": null,
"links": [
{
"label": "Official Website",
"link": "https://xo.store/"
},
{
"label": "Merchandise",
"link": "https://xo.store/"
}
],
"artwork": {
"link": "https://is1-ssl.mzstatic.com/image/thumb/AMCArtistImages211/v4/5a/56/a4/5a56a4df-e9bf-8388-3bd3-72fdb1570d18/ami-identity-777ad796f94973f081f3e54e4b81fcb1-2026-04-16T21-49-06.937Z_cropped.png/3237x3237bb.jpg",
"template_link": "https://is1-ssl.mzstatic.com/image/thumb/AMCArtistImages211/v4/5a/56/a4/5a56a4df-e9bf-8388-3bd3-72fdb1570d18/ami-identity-777ad796f94973f081f3e54e4b81fcb1-2026-04-16T21-49-06.937Z_cropped.png/{w}x{h}bb.jpg",
"width": 3237,
"height": 3237,
"background_color": "#efebf2"
},
"editorial_artwork": null,
"latest_release": null,
"top_songs": [
{
"shazam_key": "503576063",
"apple_id": "1488408568",
"shazam_link": "https://www.shazam.com/track/503576063",
"name": "Blinding Lights",
"link": "https://music.apple.com/us/album/blinding-lights/1488408555?i=1488408568",
"artist_name": "The Weeknd",
"album_id": "1488408555",
"album_name": "Blinding Lights - Single",
"album_artist_name": null,
"composer_name": "Max Martin, Oscar Holter, Abel Tesfaye, Ahmad Balshe & Jason 'Daheala' Quenneville",
"isrc": "USUG11904206",
"release_date": "2019-11-29",
"duration_ms": 201570,
"duration": "3:21",
"track_number": 1,
"disc_number": 1,
"genres": [
"R&B/Soul",
"Music"
],
"audio_language": null,
"audio_traits": null,
"is_explicit": false,
"is_clean_version": false,
"has_lyrics": true,
"has_time_synced_lyrics": false,
"is_apple_digital_master": true,
"is_mastered_for_itunes": false,
"is_sing_along_available": false,
"lyrics_excerpt": null,
"preview_link": "https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview211/v4/17/b4/8f/17b48f9a-0b93-6bb8-fe1d-3a16623c2cfb/mzaf_9560252727299052414.plus.aac.p.m4a",
"description": null,
"artwork": {
"link": "https://is1-ssl.mzstatic.com/image/thumb/Music125/v4/a6/6e/bf/a66ebf79-5008-8948-b352-a790fc87446b/19UM1IM04638.rgb.jpg/3000x3000bb.jpg",
"template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music125/v4/a6/6e/bf/a66ebf79-5008-8948-b352-a790fc87446b/19UM1IM04638.rgb.jpg/{w}x{h}bb.jpg",
"width": 3000,
"height": 3000,
"background_color": "#e08e27"
}
},
{
"shazam_key": "53250747",
"apple_id": "1714908987",
"shazam_link": "https://www.shazam.com/track/53250747",
"name": "Wicked Games",
"link": "https://music.apple.com/us/album/wicked-games/1714908584?i=1714908987",
"artist_name": "The Weeknd",
"album_id": "1714908584",
"album_name": "Trilogy",
"album_artist_name": null,
"composer_name": "The Weeknd, Illangelo, Doc McKinney & Rainer Millar Blanchaer",
"isrc": "USUM72104140",
"release_date": "2011-03-21",
"duration_ms": 325305,
"duration": "5:25",
"track_number": 5,
"disc_number": 1,
"genres": [
"R&B/Soul",
"Music"
],
"audio_language": null,
"audio_traits": null,
"is_explicit": true,
"is_clean_version": false,
"has_lyrics": true,
"has_time_synced_lyrics": false,
"is_apple_digital_master": true,
"is_mastered_for_itunes": false,
"is_sing_along_available": false,
"lyrics_excerpt": null,
"preview_link": "https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview221/v4/f7/31/85/f7318523-d760-b7b4-a663-1c2c142b6335/mzaf_14329686155362176368.plus.aac.p.m4a",
"description": null,
"artwork": {
"link": "https://is1-ssl.mzstatic.com/image/thumb/Music126/v4/66/d5/13/66d513dd-3cb0-b86b-4d11-1fbab2e6a639/12UMGIM54989.rgb.jpg/1500x1500bb.jpg",
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"width": 1500,
"height": 1500,
"background_color": "#000000"
}
},
{
"shazam_key": "312008565",
"apple_id": "1440826383",
"shazam_link": "https://www.shazam.com/track/312008565",
"name": "The Hills",
"link": "https://music.apple.com/us/album/the-hills/1440826239?i=1440826383",
"artist_name": "The Weeknd",
"album_id": "1440826239",
"album_name": "Beauty Behind the Madness",
"album_artist_name": null,
"composer_name": "The Weeknd, Ahmad Balshe, Emmanuel Nickerson & Illangelo",
"isrc": "USUG11500737",
"release_date": "2015-05-27",
"duration_ms": 242291,
"duration": "4:02",
"track_number": 5,
"disc_number": 1,
"genres": [
"R&B/Soul",
"Music"
],
"audio_language": null,
"audio_traits": null,
"is_explicit": true,
"is_clean_version": false,
"has_lyrics": true,
"has_time_synced_lyrics": false,
"is_apple_digital_master": true,
"is_mastered_for_itunes": false,
"is_sing_along_available": false,
"lyrics_excerpt": null,
"preview_link": "https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview211/v4/5e/c0/57/5ec057de-f005-6235-49e0-685995c9e016/mzaf_12436354896756929883.plus.aac.p.m4a",
"description": null,
"artwork": {
"link": "https://is1-ssl.mzstatic.com/image/thumb/Music124/v4/40/cd/1a/40cd1a65-7948-eb96-74c6-1c4b3497456c/15UMGIM36513.rgb.jpg/3000x3000bb.jpg",
"template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music124/v4/40/cd/1a/40cd1a65-7948-eb96-74c6-1c4b3497456c/15UMGIM36513.rgb.jpg/{w}x{h}bb.jpg",
"width": 3000,
"height": 3000,
"background_color": "#171817"
}
},
{
"shazam_key": "221708306",
"apple_id": "1440826577",
"shazam_link": "https://www.shazam.com/track/221708306",
"name": "Earned It (Fifty Shades of Grey)",
"link": "https://music.apple.com/us/album/earned-it-fifty-shades-of-grey/1440826239?i=1440826577",
"artist_name": "The Weeknd",
"album_id": "1440826239",
"album_name": "Beauty Behind the Madness",
"album_artist_name": null,
"composer_name": "The Weeknd, Stephan Moccio, Jason 'Daheala' Quenneville & Ahmad Balshe",
"isrc": "USUG11500923",
"release_date": "2014-12-23",
"duration_ms": 277724,
"duration": "4:37",
"track_number": 9,
"disc_number": 1,
"genres": [
"R&B/Soul",
"Music"
],
"audio_language": null,
"audio_traits": null,
"is_explicit": true,
"is_clean_version": false,
"has_lyrics": true,
"has_time_synced_lyrics": false,
"is_apple_digital_master": true,
"is_mastered_for_itunes": false,
"is_sing_along_available": false,
"lyrics_excerpt": null,
"preview_link": "https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview211/v4/bd/39/99/bd399910-ad8a-6041-b9ae-f9da81aa0a16/mzaf_441883562521846976.plus.aac.p.m4a",
"description": null,
"artwork": {
"link": "https://is1-ssl.mzstatic.com/image/thumb/Music124/v4/40/cd/1a/40cd1a65-7948-eb96-74c6-1c4b3497456c/15UMGIM36513.rgb.jpg/3000x3000bb.jpg",
"template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music124/v4/40/cd/1a/40cd1a65-7948-eb96-74c6-1c4b3497456c/15UMGIM36513.rgb.jpg/{w}x{h}bb.jpg",
"width": 3000,
"height": 3000,
"background_color": "#171817"
}
},
{
"shazam_key": "335874133",
"apple_id": "1440872304",
"shazam_link": "https://www.shazam.com/track/335874133",
"name": "Die For You",
"link": "https://music.apple.com/us/album/die-for-you/1440871397?i=1440872304",
"artist_name": "The Weeknd",
"album_id": "1440871397",
"album_name": "Starboy",
"album_artist_name": null,
"composer_name": "The Weeknd, Martin McKinney, Prince 85, Dylan Wiggins, Magnus August Høiberg, William Walsh & Henry Walter",
"isrc": "USUG11601011",
"release_date": "2016-11-25",
"duration_ms": 260256,
"duration": "4:20",
"track_number": 17,
"disc_number": 1,
"genres": [
"R&B/Soul",
"Music"
],
"audio_language": null,
"audio_traits": null,
"is_explicit": false,
"is_clean_version": false,
"has_lyrics": true,
"has_time_synced_lyrics": false,
"is_apple_digital_master": true,
"is_mastered_for_itunes": false,
"is_sing_along_available": false,
"lyrics_excerpt": null,
"preview_link": "https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview221/v4/50/50/1a/50501a86-bd74-e90d-8a56-68c9b5e6e7d6/mzaf_4588197682084244913.plus.aac.p.m4a",
"description": null,
"artwork": {
"link": "https://is1-ssl.mzstatic.com/image/thumb/Music115/v4/e2/61/f8/e261f8c1-73db-9a7a-c89e-1068f19970e0/16UMGIM67863.rgb.jpg/3000x3000bb.jpg",
"template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music115/v4/e2/61/f8/e261f8c1-73db-9a7a-c89e-1068f19970e0/16UMGIM67863.rgb.jpg/{w}x{h}bb.jpg",
"width": 3000,
"height": 3000,
"background_color": "#121c42"
}
},
{
"shazam_key": "446983484",
"apple_id": "1440872309",
"shazam_link": "https://www.shazam.com/track/446983484",
"name": "I Feel It Coming (feat. Daft Punk)",
"link": "https://music.apple.com/us/album/i-feel-it-coming-feat-daft-punk/1440871397?i=1440872309",
"artist_name": "The Weeknd",
"album_id": "1440871397",
"album_name": "Starboy",
"album_artist_name": null,
"composer_name": "The Weeknd, Guy-Manuel de Homem-Christo, Martin McKinney, Eric chedeville, Henry Walter & Thomas Bangalter",
"isrc": "USUG11601012",
"release_date": "2016-11-18",
"duration_ms": 269177,
"duration": "4:29",
"track_number": 18,
"disc_number": 1,
"genres": [
"R&B/Soul",
"Music"
],
"audio_language": null,
"audio_traits": null,
"is_explicit": false,
"is_clean_version": false,
"has_lyrics": true,
"has_time_synced_lyrics": false,
"is_apple_digital_master": true,
"is_mastered_for_itunes": false,
"is_sing_along_available": false,
"lyrics_excerpt": null,
"preview_link": "https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview211/v4/71/af/e0/71afe07f-aae7-c4f0-db02-c05be07591d2/mzaf_5960554915698764959.plus.aac.p.m4a",
"description": null,
"artwork": {
"link": "https://is1-ssl.mzstatic.com/image/thumb/Music115/v4/e2/61/f8/e261f8c1-73db-9a7a-c89e-1068f19970e0/16UMGIM67863.rgb.jpg/3000x3000bb.jpg",
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"width": 3000,
"height": 3000,
"background_color": "#121c42"
}
},
{
"shazam_key": "411626340",
"apple_id": "1363310482",
"shazam_link": "https://www.shazam.com/track/411626340",
"name": "Call Out My Name",
"link": "https://music.apple.com/us/album/call-out-my-name/1363309866?i=1363310482",
"artist_name": "The Weeknd",
"album_id": "1363309866",
"album_name": "My Dear Melancholy,",
"album_artist_name": null,
"composer_name": "The Weeknd, Adam Feeney & Nicolas Jaar",
"isrc": "USUG11800560",
"release_date": "2018-03-30",
"duration_ms": 228382,
"duration": "3:48",
"track_number": 1,
"disc_number": 1,
"genres": [
"R&B/Soul",
"Music"
],
"audio_language": null,
"audio_traits": null,
"is_explicit": false,
"is_clean_version": false,
"has_lyrics": true,
"has_time_synced_lyrics": false,
"is_apple_digital_master": true,
"is_mastered_for_itunes": false,
"is_sing_along_available": false,
"lyrics_excerpt": null,
"preview_link": "https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview211/v4/d1/2f/3d/d12f3d43-a2e2-eba4-8db5-91f3f3c13f5a/mzaf_8470584399239689698.plus.aac.p.m4a",
"description": null,
"artwork": {
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"width": 3000,
"height": 3000,
"background_color": "#1e1610"
}
},
{
"shazam_key": "713781522",
"apple_id": "1770380890",
"shazam_link": "https://www.shazam.com/track/713781522",
"name": "Timeless",
"link": "https://music.apple.com/us/album/timeless/1770380869?i=1770380890",
"artist_name": "The Weeknd & Playboi Carti",
"album_id": "1770380869",
"album_name": "Timeless - Single",
"album_artist_name": null,
"composer_name": "The Weeknd, Jordan Terrell Carter, Pharrell Williams, Mark Williams (Oji), Raul Cubina (Volta), Tariq 'BL$$D' Sharrieff, Kobe “BbyKobe” Hood, Devon Chisolm (Lawson), Blessed, Jarrod \"Twisco\" Morgan & MIKE DEAN",
"isrc": "USUG12406536",
"release_date": "2024-09-27",
"duration_ms": 256000,
"duration": "4:16",
"track_number": 1,
"disc_number": 1,
"genres": [
"R&B/Soul",
"Music"
],
"audio_language": null,
"audio_traits": null,
"is_explicit": true,
"is_clean_version": false,
"has_lyrics": true,
"has_time_synced_lyrics": false,
"is_apple_digital_master": true,
"is_mastered_for_itunes": false,
"is_sing_along_available": false,
"lyrics_excerpt": null,
"preview_link": "https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview221/v4/db/c6/93/dbc693bf-4fc0-bd9a-ce1a-e12275b55cbf/mzaf_4944585302837006457.plus.aac.p.m4a",
"description": null,
"artwork": {
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"width": 4500,
"height": 4500,
"background_color": "#0e0e06"
}
},
{
"shazam_key": "812124319",
"apple_id": "1793654350",
"shazam_link": "https://www.shazam.com/track/812124319",
"name": "Cry For Me",
"link": "https://music.apple.com/us/album/cry-for-me/1793654348?i=1793654350",
"artist_name": "The Weeknd",
"album_id": "1793654348",
"album_name": "Hurry Up Tomorrow",
"album_artist_name": null,
"composer_name": "The Weeknd, Ahmad Balshe, Leland Wayne, MIKE DEAN, Curtis Fitzgerald Williams & Karen Patterson",
"isrc": "USUG12501129",
"release_date": "2025-01-31",
"duration_ms": 224137,
"duration": "3:44",
"track_number": 2,
"disc_number": 1,
"genres": [
"R&B/Soul",
"Music"
],
"audio_language": null,
"audio_traits": null,
"is_explicit": true,
"is_clean_version": false,
"has_lyrics": true,
"has_time_synced_lyrics": false,
"is_apple_digital_master": true,
"is_mastered_for_itunes": false,
"is_sing_along_available": false,
"lyrics_excerpt": null,
"preview_link": "https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview221/v4/a0/25/12/a02512c3-6ecd-9d0a-5983-966fd59f9460/mzaf_8803940864628903622.plus.aac.p.m4a",
"description": null,
"artwork": {
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"width": 4500,
"height": 4500,
"background_color": "#0f100c"
}
},
{
"shazam_key": "713627230",
"apple_id": "1768635695",
"shazam_link": "https://www.shazam.com/track/713627230",
"name": "Dancing In The Flames",
"link": "https://music.apple.com/us/album/dancing-in-the-flames/1768635694?i=1768635695",
"artist_name": "The Weeknd",
"album_id": "1768635694",
"album_name": "Dancing In The Flames - EP",
"album_artist_name": null,
"composer_name": "The Weeknd, Max Martin & Oscar Holter",
"isrc": "USUG12405844",
"release_date": "2024-09-13",
"duration_ms": 220037,
"duration": "3:40",
"track_number": 1,
"disc_number": 1,
"genres": [
"R&B/Soul",
"Music"
],
"audio_language": null,
"audio_traits": null,
"is_explicit": false,
"is_clean_version": false,
"has_lyrics": true,
"has_time_synced_lyrics": false,
"is_apple_digital_master": true,
"is_mastered_for_itunes": false,
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"full": "On what was meant to be the last date of his 2022 tour, The Weeknd took the stage at Inglewood, California’s SoFi Stadium, but when he opened his mouth to sing for 80,000 screaming fans, nothing came out. Over the past 14 years, Abel Tesfaye has experienced what you might call pop’s glow-up of the century: When he emerged from obscurity as the faceless voice behind 2011’s noir-ish House of Balloons mixtape, nobody could have guessed that he’d be headlining the Super Bowl Halftime Show a decade later. But that moment onstage triggered what Tesfaye has since described as a breakdown, inspiring a period of intense reflection on his life and career—and Hurry Up Tomorrow, his sixth studio album.\n\nTesfaye has called Tomorrow the final chapter in the trilogy he began with 2020’s After Hours, the album that launched him into a new stratosphere of pop success, and continued with 2022’s high-concept Dawn FM. Continuing the narrative of its semi-autobiographical narrator’s journey through a dark night of the soul, Tomorrow doubles as an allegory about fame’s power to destroy: The curtain rises, and it’s all downhill from there. He longs for a time “when my blood never tasted like wine,” he wails over the night-drive synth-pop of “Take Me Back to LA,” and diagnoses fame as a disease on the glittering “Drive.” He’s ready to leave it all behind on “Wake Me Up,” a collaboration with French duo Justice: “No afterlife, no other side,” he sings, sounding entranced by the thought.\n\nIts 22 tracks play out like the swan song to end all swan songs, joined by a murderer’s row of guests: Future lends a layer of scuzz to the deceptively sweet R&B slow-burner “Enjoy the Show,” Anitta taps in for the nocturnal baile funk of “São Paulo,” and frequent collaborator Lana Del Rey makes an appearance on “The Abyss,” where ominous lyrics like, “What’s the point of staying? It’s going up in flames” hit even harder after LA’s devastating fires in January 2025. Tesfaye has dropped repeated hints that this album won’t just close out the trilogy, but also his existence as The Weeknd. If that’s the case, “Without a Warning” encapsulates the arc of an artist who never let success get in the way of his ambition: “Take me to a time/When I was young/And my heart could take the drugs and heartache without loss/But now my bones are frail/And my voice fails/And my tears fall without a warning/Either way, the crowd will scream my name.”"
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"full": "“You are now listening to 103.5 Dawn FM. You’ve been in the dark for way too long. It’s time to walk into the light and accept your fate with open arms. Scared? Don’t worry. We’ll be there to hold your hand and guide you through this painless transition. But what’s the rush? Just relax and enjoy another hour of commercial ‘free yourself’ music on 103.5 Dawn FM. Tune in.” \n\nThe Weeknd's previous album After Hours was released right as the world was falling into the throes of the pandemic; after scrapping material that he felt was wallowing in the depression he was feeling at the time, Dawn FM arrives as a by-product of—and answer to—that turmoil. Here, he replaces woeful introspection with a bit of upbeat fantasy—the result of creatively searching for a way out of the claustrophobic reality of the previous two years. With the experience of hosting and curating music for his very own MEMENTO MORI radio show on Apple Music as his guiding light, Dawn FM is crafted in a similar fashion, complete with a DJ to set the tone for the segments within. “It’s time to walk into the light and accept your fate with open arms,” the host, voiced by Jim Carrey, declares on the opening track. “Scared? Don't worry.” \n\nIndeed, there is nothing to fear. The Weeknd packs the first half with euphoric bursts that include the Swedish House Mafia-assisted “How Do I Make You Love Me?” and “Sacrifice.” On the back half, he moves into the more serene waters of “Is There Someone Else?” and “Starry Eyes.” Despite the somewhat morose album cover, which reflects what many feel like as they wade through the seemingly endless purgatory of a life dictated by a virus, he’s aiming for something akin to hope in all of this gloom."
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"short": "Clever production illuminates the singer’s dark and absorbing fourth LP.",
"full": "“You can find love, fear, friends, enemies, violence, dancing, sex, demons, angels, loneliness, and togetherness all in the After Hours of the night.” —The Weeknd\n\nEver since The Weeknd emerged in 2011 with the mysterious and mesmerizing House of Balloons, the Toronto native has kept us on our toes: There was a trio of druggy, lo-fi R&B mixtapes, the Top 40 cake-topper “Can’t Feel My Face,” and the glossy, Daft Punk-assisted rebirth that came with 2016’s Starboy. On After Hours, his fourth studio album, the singer returns to early-era Abel Tesfaye—the fragile falsetto, the smoky atmospheres, the whispered confessions. But here, they’re bolstered by some seriously brilliant beatmaking: muted, shuffling drum ’n’ bass (“Hardest to Love”), whistling sirens and staccato trap textures (“Escape From LA\"), and flickers of French touch, warped dubstep, and Chicago drill that have been stretched and bent into abstractions. It’s as if Tesfaye spent the past four years scouring underground warehouse parties for rhythms that could make his low-lit R&B balladry feel hedonistic, thrilling, and alive (and the above statement he sent Apple Music about the album seems to confirm that). When the album does lift into moments of brightness, they’re downright radiant: “Scared to Live” is sweeping and sentimental, fit for the final scene in a romantic comedy, and “Blinding Lights”—a Max Martin-produced megahit boosted by a Mercedes-Benz commercial—is about as glitzy, glamorous, and gloriously ’80s as it gets."
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"full": "The Weeknd's 2016 album, Starboy, was the musical equivalent of a Hollywood blockbuster: action-packed, star-studded, with a little something for everyone. Here, he returns to his unfiltered, art-house roots with a release so intimate and tortured, you’ll feel like a fly on his bedroom wall. Stuttering snares, gauzy production, and R-rated lyrics about sex and drugs (“I got two red pills to take the blues away,” he coos through a vocoder on “Privilege”) paint a vivid picture of a brooding Lothario—one that strongly resembles the dark artist we initially met on House of Balloons. This time around, he’s tapped gothic electro king Gesaffelstein to bring a sheen to the shadows with neon synths and fuzzy echoes that lift his signature anguish into new emotional heights."
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"short": "The hypnotic follow-up to the R&B enigma’s pop breakthrough.",
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"short": "The R&B trailblazer unleashes a brash and beautiful album.",
"full": "Abel Tesfaye has transitioned expertly from shadowy R&B trailblazer to full-blown pop presence. In the wake of his deeply influential trilogy of 2011 full-lengths and his addictive contributions to 2014’s Fifty Shades of Grey soundtrack—“Earned it” and “Where You Belong”—the Weeknd mastermind unveils another gorgeous collection of electrifying melody and brooding atmosphere. Beauty Behind the Madness features the Michael Jackson-like vocal moves of ”Can't Feel My Face,” the hypnotic thump of “The Hills,” and the psychedelic serenading of “Often.”"
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"full": "After the huge success of his Trilogy compilation, The Weeknd, a.k.a. Abel Tesfaye, picks apart the loneliness of his newfound fame on the fraught Kiss Land. The songs in his self-described “horror movie” flit between chilly electronics on “The Town,\" skewed sexual politics on the excellent, Portishead-sampling “Belong To the World,” and a pervading sense of ennui, which means that even the lighter moments—like the pop bounce of “Wanderlust” or the Drake-assisted crew anthem “Live For”—are cloaked in a compelling, unshakeable paranoia."
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"name": "Echoes Of Silence (Original)",
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"name": "Thursday (Original)",
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"short": "The singer’s second mixtape arrives on streaming in its original form.",
"full": "By the time The Weeknd released Thursday, just five months after his debut mixtape, the world still knew little about him but remained hopelessly drawn into his darkness. The singer's cocktail of hedonism and anonymity made his second effort equally as potent as his first, thrusting listeners into his intoxicating world of sex and drugs once more. “It seems like pain and regret are your best friends, 'cause everything you do leads to them,” he coos on the tape's opening verse, a masochist courting a masochist.\n\nThursday, which appears here with all of its original samples restored, is somehow even more joyless than its predecessor—tinges of aggression slice through the atmospherics of the production, and callousness wipes out any semblance of pretense. He spends the majority of the songs cautioning a would-be lover away, but his fragile falsetto is a starmaker capable of wringing sympathy from even the most skeptical listeners; it almost sounds like earnest concern when he begs, “Don't you fall in love, don't make me make you fall in love,” on “The Birds, Pt. 1.” The Weeknd knows that humans are compelled towards that which repels them, and he uses that fact to his advantage here to create tension both between the characters of his lyrics and between himself and his audience. He knows, perhaps better than many, that the things we crave most are those that come with a warning label."
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"name": "House of Balloons (Original)",
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