{
  "count": null,
  "per_page": 25,
  "current_page": 1,
  "total_pages": 2,
  "next": "https://apple-music-scraper.omkar.cloud/apple-music/search/albums?query=midnights&page=2",
  "previous": null,
  "query": "midnights",
  "albums": [
    {
      "id": "1689131527",
      "name": "Midnights (The Til Dawn Edition)",
      "link": "https://music.apple.com/us/album/midnights-the-til-dawn-edition/1689131527",
      "artist_name": "Taylor Swift",
      "release_type": "album",
      "record_label": "Taylor Swift",
      "copyright": "℗ 2023 Taylor Swift",
      "upc": "00602455890030",
      "release_date": "2022-10-21",
      "track_count": 23,
      "genres": [
        "Pop",
        "Music"
      ],
      "audio_traits": [
        "atmos",
        "lossless",
        "lossy_stereo",
        "spatial"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": true,
      "is_explicit": true,
      "is_clean_version": false,
      "description": {
        "title": null,
        "tagline": "New Deluxe Edition",
        "short": "“The stories of 13 sleepless nights.”",
        "full": "Let’s start with that speech. In September 2022, as Taylor Swift accepted Songwriter-Artist of the Decade honors at the Nashville Songwriter Awards, the headline was that Swift had unveiled an admittedly “dorky” system she’d developed for organizing her own songs. Quill Pen, Fountain Pen, Glitter Gel Pen: three categories of lyrics, three imagined tools with which she wrote them, one pretty ingenious way to invite obsessive fans to lovingly obsess all the more.\n\nAnd yet, perhaps the real takeaway was the manner in which she spoke about her craft that night, some 20 years after writing her first song at the age of 12. “I love doing this thing we are fortunate enough to call a job,” she said to a room of her peers. “Writing songs is my life’s work and my hobby and my never-ending thrill. A song can defy logic or time. A good song transports you to your truest feelings and translates those feelings for you. A good song stays with you even when people or feelings don’t.”\n\nOn Midnights, her tenth LP and fourth in as many years—if you don’t count the two she’s just rerecorded and buttressed with dozens of additional tracks—Swift sounds like she’s really enjoying her work, playing with language like kids do with gum, thrilling to the texture of every turn of phrase, the charge in every melody and satisfying rhyme. Alongside longtime collaborator Jack Antonoff, she’s set out here to tell “the stories of 13 sleepless nights scattered throughout [her] life,” as she phrased it in a message to Apple Music subscribers. It’s a concept that naturally calls for a nocturnal palette: slower tempos, hushed atmosphere, negative space like night sky. \n\nThe sound is fully modern (synths you’d want to eat or sleep in, low end that sits comfortably on your chest), while the aesthetic (soft focus, wood paneling, tracklist on the cover) is decidedly mid-century, much like the Mad Men-inspired title of its brooding opener, “Lavender Haze”—a song about finding refuge in the glow of intimacy. “Talk your talk and go viral,” she sings, in reference to the maelstrom of outside interest in her six-year relationship with actor Joe Alwyn. “I just want this love spiral.” (A big shout to Antonoff for those spongy backup vocals, btw.) \n\nIn large part, Midnights is a record of interiors, Swift letting us glimpse the chaos inside her head (“Anti-Hero,” wall-to-wall zingers) and the stillness of her relationship (“Sweet Nothing,” co-written by Alwyn under his William Bowery pseudonym). For “Snow on the Beach,” she teams up with Lana Del Rey—an artist whose instinct for mood and theatrical framing seems to have influenced Swift’s recent catalog—recalling the magic of an impossible night over a backdrop of pizzicato violin, sleigh bells, and dreamy Mellotron, like the earliest hours of Christmas morning. “I’ve never seen someone lit from within,” Swift sings. “Blurring out my periphery.” \n\nBut then there’s “Bejeweled,” a late, 1989-like highlight on which she announces to an unappreciative partner, a few seconds in: “And by the way, I’m going out tonight.” And then out Swift goes, striding through the center of the song like she would the room: “I can still make the whole place shimmer,” she sings, relishing that last word. “And when I meet the band, they ask, ‘Do you have a man?’/I could still say, ‘I don’t remember.’” There are traces of melancholy layered in (see: “sapphire tears on my face”), but the song feels like a triumph, the sort of unabashed, extroverted fun that would have probably seemed out of place in the lockdown indie of 2020’s folklore and evermore. But here, side by side with songs and scenes of such writerly indulgence, it’s right at home—more proof that the terms “singer-songwriter” and “universal pop star” aren’t mutually exclusive ideas. “What’s a girl gonna do?” Swift asks at its climax. “A diamond’s gotta shine.”\n\nThis special expanded version of Midnights includes three additional songs."
      },
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music116/v4/a6/85/b9/a685b9f8-dad3-2ed7-58b2-ab7f64304505/23UMGIM58157.rgb.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music116/v4/a6/85/b9/a685b9f8-dad3-2ed7-58b2-ab7f64304505/23UMGIM58157.rgb.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#161532"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1689089710",
      "name": "Midnights (The Til Dawn Edition)",
      "link": "https://music.apple.com/us/album/midnights-the-til-dawn-edition/1689089710",
      "artist_name": "Taylor Swift",
      "release_type": "album",
      "record_label": "Taylor Swift",
      "copyright": "℗ 2023 Taylor Swift",
      "upc": "00602455890108",
      "release_date": "2022-10-21",
      "track_count": 23,
      "genres": [
        "Pop",
        "Music"
      ],
      "audio_traits": [
        "atmos",
        "lossless",
        "lossy_stereo",
        "spatial"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": true,
      "is_explicit": false,
      "is_clean_version": true,
      "description": {
        "title": null,
        "tagline": "New Deluxe Edition",
        "short": "The Midnights era gets a little longer with three new tracks—all in Spatial.",
        "full": "Let’s start with that speech. In September 2022, as Taylor Swift accepted Songwriter-Artist of the Decade honors at the Nashville Songwriter Awards, the headline was that Swift had unveiled an admittedly “dorky” system she’d developed for organizing her own songs. Quill Pen, Fountain Pen, Glitter Gel Pen: three categories of lyrics, three imagined tools with which she wrote them, one pretty ingenious way to invite obsessive fans to lovingly obsess all the more.\n\nAnd yet, perhaps the real takeaway was the manner in which she spoke about her craft that night, some 20 years after writing her first song at the age of 12. “I love doing this thing we are fortunate enough to call a job,” she said to a room of her peers. “Writing songs is my life’s work and my hobby and my never-ending thrill. A song can defy logic or time. A good song transports you to your truest feelings and translates those feelings for you. A good song stays with you even when people or feelings don’t.”\n\nOn Midnights, her tenth LP and fourth in as many years—if you don’t count the two she’s just rerecorded and buttressed with dozens of additional tracks—Swift sounds like she’s really enjoying her work, playing with language like kids do with gum, thrilling to the texture of every turn of phrase, the charge in every melody and satisfying rhyme. Alongside longtime collaborator Jack Antonoff, she’s set out here to tell “the stories of 13 sleepless nights scattered throughout [her] life,” as she phrased it in a message to Apple Music subscribers. It’s a concept that naturally calls for a nocturnal palette: slower tempos, hushed atmosphere, negative space like night sky. \n\nThe sound is fully modern (synths you’d want to eat or sleep in, low end that sits comfortably on your chest), while the aesthetic (soft focus, wood paneling, tracklist on the cover) is decidedly mid-century, much like the Mad Men-inspired title of its brooding opener, “Lavender Haze”—a song about finding refuge in the glow of intimacy. “Talk your talk and go viral,” she sings, in reference to the maelstrom of outside interest in her six-year relationship with actor Joe Alwyn. “I just want this love spiral.” (A big shout to Antonoff for those spongy backup vocals, btw.) \n\nIn large part, Midnights is a record of interiors, Swift letting us glimpse the chaos inside her head (“Anti-Hero,” wall-to-wall zingers) and the stillness of her relationship (“Sweet Nothing,” co-written by Alwyn under his William Bowery pseudonym). For “Snow on the Beach,” she teams up with Lana Del Rey—an artist whose instinct for mood and theatrical framing seems to have influenced Swift’s recent catalog—recalling the magic of an impossible night over a backdrop of pizzicato violin, sleigh bells, and dreamy Mellotron, like the earliest hours of Christmas morning. “I’ve never seen someone lit from within,” Swift sings. “Blurring out my periphery.” \n\nBut then there’s “Bejeweled,” a late, 1989-like highlight on which she announces to an unappreciative partner, a few seconds in: “And by the way, I’m going out tonight.” And then out Swift goes, striding through the center of the song like she would the room: “I can still make the whole place shimmer,” she sings, relishing that last word. “And when I meet the band, they ask, ‘Do you have a man?’/I could still say, ‘I don’t remember.’” There are traces of melancholy layered in (see: “sapphire tears on my face”), but the song feels like a triumph, the sort of unabashed, extroverted fun that would have probably seemed out of place in the lockdown indie of 2020’s folklore and evermore. But here, side by side with songs and scenes of such writerly indulgence, it’s right at home—more proof that the terms “singer-songwriter” and “universal pop star” aren’t mutually exclusive ideas. “What’s a girl gonna do?” Swift asks at its climax. “A diamond’s gotta shine.”\n\nThis special expanded version of Midnights includes three additional songs."
      },
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music126/v4/fb/b7/5d/fbb75d98-3b52-2fa5-ca82-658194f3c498/23UMGIM58157.rgb.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music126/v4/fb/b7/5d/fbb75d98-3b52-2fa5-ca82-658194f3c498/23UMGIM58157.rgb.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#161532"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1649434996",
      "name": "Midnights",
      "link": "https://music.apple.com/us/album/midnights/1649434996",
      "artist_name": "Taylor Swift",
      "release_type": "album",
      "record_label": "Taylor Swift",
      "copyright": "℗ 2022 Taylor Swift",
      "upc": "00602448763044",
      "release_date": "2022-10-21",
      "track_count": 14,
      "genres": [
        "Pop",
        "Music"
      ],
      "audio_traits": [
        "atmos",
        "lossless",
        "lossy_stereo",
        "spatial"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": true,
      "is_explicit": false,
      "is_clean_version": true,
      "description": {
        "title": null,
        "tagline": null,
        "short": "“The stories of 13 sleepless nights” in stunning Spatial Audio.",
        "full": "Let‘s start with that speech. In September 2022, as Taylor Swift accepted Songwriter-Artist of the Decade honors at the Nashville Songwriter Awards, the headline was that Swift had unveiled an admittedly “dorky” system she’d developed for organizing her own songs. Quill Pen, Fountain Pen, Glitter Gel Pen: three categories of lyrics, three imagined tools with which she wrote them, one pretty ingenious way to invite obsessive fans to lovingly obsess all the more.\n\nAnd yet, perhaps the real takeaway was the manner in which she spoke about her craft that night, some 20 years after writing her first song at the age of 12. “I love doing this thing we are fortunate enough to call a job,” she said to a room of her peers. “Writing songs is my life’s work and my hobby and my never-ending thrill. A song can defy logic or time. A good song transports you to your truest feelings and translates those feelings for you. A good song stays with you even when people or feelings don’t.”\n\nOn Midnights, her tenth LP and fourth in as many years—if you don’t count the two she’s just rerecorded and buttressed with dozens of additional tracks—Swift sounds like she’s really enjoying her work, playing with language like kids do with gum, thrilling to the texture of every turn of phrase, the charge in every melody and satisfying rhyme. Alongside longtime collaborator Jack Antonoff, she’s set out here to tell “the stories of 13 sleepless nights scattered throughout [her] life,” as she phrased it in a message to Apple Music subscribers. It’s a concept that naturally calls for a nocturnal palette: slower tempos, hushed atmosphere, negative space like night sky. \n\nThe sound is fully modern (synths you’d want to eat or sleep in, low end that sits comfortably on your chest), while the aesthetic (soft focus, wood paneling, tracklist on the cover) is decidedly mid-century, much like the Mad Men-inspired title of its brooding opener, “Lavender Haze”—a song about finding refuge in the glow of intimacy. “Talk your talk and go viral,” she sings, in reference to the maelstrom of outside interest in her six-year relationship with actor Joe Alwyn. “I just want this love spiral.” (A big shout to Antonoff for those spongy backup vocals, btw.) \n\nIn large part, Midnights is a record of interiors, Swift letting us glimpse the chaos inside her head (“Anti-Hero,” wall-to-wall zingers) and the stillness of her relationship (“Sweet Nothing,” co-written by Alwyn under his William Bowery pseudonym). For “Snow on the Beach,” she teams up with Lana Del Rey—an artist whose instinct for mood and theatrical framing seems to have influenced Swift’s recent catalog—recalling the magic of an impossible night over a backdrop of pizzicato violin, sleigh bells, and dreamy Mellotron, like the earliest hours of Christmas morning. “I’ve never seen someone lit from within,” Swift sings. “Blurring out my periphery.” \n\nBut then there’s “Bejeweled,” a late, 1989-like highlight on which she announces to an unappreciative partner, a few seconds in: “And by the way, I’m going out tonight.” And then out Swift goes, striding through the center of the song like she would the room: “I can still make the whole place shimmer,” she sings, relishing that last word. “And when I meet the band, they ask, ‘Do you have a man?’/I could still say, ‘I don’t remember.’” There are traces of melancholy layered in (see: “sapphire tears on my face”), but the song feels like a triumph, the sort of unabashed, extroverted fun that would have probably seemed out of place in the lockdown indie of 2020’s folklore and evermore. But here, side by side with songs and scenes of such writerly indulgence, it’s right at home—more proof that the terms “singer-songwriter” and “universal pop star” aren’t mutually exclusive ideas. “What’s a girl gonna do?” Swift asks at its climax. “A diamond’s gotta shine.”"
      },
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music122/v4/67/b5/01/67b501d5-362e-797e-7dbd-942b9e273084/22UM1IM24801.rgb.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music122/v4/67/b5/01/67b501d5-362e-797e-7dbd-942b9e273084/22UM1IM24801.rgb.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#eae7e3"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1650841512",
      "name": "Midnights (3am Edition)",
      "link": "https://music.apple.com/us/album/midnights-3am-edition/1650841512",
      "artist_name": "Taylor Swift",
      "release_type": "album",
      "record_label": "Taylor Swift",
      "copyright": "℗ 2022 Taylor Swift",
      "upc": "00602448851413",
      "release_date": "2022-10-21",
      "track_count": 20,
      "genres": [
        "Pop",
        "Music"
      ],
      "audio_traits": [
        "atmos",
        "lossless",
        "lossy_stereo",
        "spatial"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": true,
      "is_explicit": true,
      "is_clean_version": false,
      "description": {
        "title": null,
        "tagline": null,
        "short": "The night gets longer with seven songs not on the original version.",
        "full": "Let‘s start with that speech. In September 2022, as Taylor Swift accepted Songwriter-Artist of the Decade honors at the Nashville Songwriter Awards, the headline was that Swift had unveiled an admittedly “dorky” system she’d developed for organizing her own songs. Quill Pen, Fountain Pen, Glitter Gel Pen: three categories of lyrics, three imagined tools with which she wrote them, one pretty ingenious way to invite obsessive fans to lovingly obsess all the more.\n\nAnd yet, perhaps the real takeaway was the manner in which she spoke about her craft that night, some 20 years after writing her first song at the age of 12. “I love doing this thing we are fortunate enough to call a job,” she said to a room of her peers. “Writing songs is my life’s work and my hobby and my never-ending thrill. A song can defy logic or time. A good song transports you to your truest feelings and translates those feelings for you. A good song stays with you even when people or feelings don’t.”\n\nOn Midnights, her tenth LP and fourth in as many years—if you don’t count the two she’s just rerecorded and buttressed with dozens of additional tracks—Swift sounds like she’s really enjoying her work, playing with language like kids do with gum, thrilling to the texture of every turn of phrase, the charge in every melody and satisfying rhyme. Alongside longtime collaborator Jack Antonoff, she’s set out here to tell “the stories of 13 sleepless nights scattered throughout [her] life,” as she phrased it in a message to Apple Music subscribers. It’s a concept that naturally calls for a nocturnal palette: slower tempos, hushed atmosphere, negative space like night sky. \n\nThe sound is fully modern (synths you’d want to eat or sleep in, low end that sits comfortably on your chest), while the aesthetic (soft focus, wood paneling, tracklist on the cover) is decidedly mid-century, much like the Mad Men-inspired title of its brooding opener, “Lavender Haze”—a song about finding refuge in the glow of intimacy. “Talk your talk and go viral,” she sings, in reference to the maelstrom of outside interest in her six-year relationship with actor Joe Alwyn. “I just want this love spiral.” (A big shout to Antonoff for those spongy backup vocals, btw.) \n\nIn large part, Midnights is a record of interiors, Swift letting us glimpse the chaos inside her head (“Anti-Hero,” wall-to-wall zingers) and the stillness of her relationship (“Sweet Nothing,” co-written by Alwyn under his William Bowery pseudonym). For “Snow on the Beach,” she teams up with Lana Del Rey—an artist whose instinct for mood and theatrical framing seems to have influenced Swift’s recent catalog—recalling the magic of an impossible night over a backdrop of pizzicato violin, sleigh bells, and dreamy Mellotron, like the earliest hours of Christmas morning. “I’ve never seen someone lit from within,” Swift sings. “Blurring out my periphery.” \n\nBut then there’s “Bejeweled,” a late, 1989-like highlight on which she announces to an unappreciative partner, a few seconds in: “And by the way, I’m going out tonight.” And then out Swift goes, striding through the center of the song like she would the room: “I can still make the whole place shimmer,” she sings, relishing that last word. “And when I meet the band, they ask, ‘Do you have a man?’/I could still say, ‘I don’t remember.’” There are traces of melancholy layered in (see: “sapphire tears on my face”), but the song feels like a triumph, the sort of unabashed, extroverted fun that would have probably seemed out of place in the lockdown indie of 2020’s folklore and evermore. But here, side by side with songs and scenes of such writerly indulgence, it’s right at home—more proof that the terms “singer-songwriter” and “universal pop star” aren’t mutually exclusive ideas. “What’s a girl gonna do?” Swift asks at its climax. “A diamond’s gotta shine.”\n\nThis special expanded version of Midnights includes seven additional songs."
      },
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music122/v4/59/13/5c/59135ccc-8425-415c-7f89-8aeada60088e/22UM1IM22440.rgb.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music122/v4/59/13/5c/59135ccc-8425-415c-7f89-8aeada60088e/22UM1IM22440.rgb.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#eae7e3"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1649434004",
      "name": "Midnights",
      "link": "https://music.apple.com/us/album/midnights/1649434004",
      "artist_name": "Taylor Swift",
      "release_type": "album",
      "record_label": "Taylor Swift",
      "copyright": "℗ 2022 Taylor Swift",
      "upc": "00602448762689",
      "release_date": "2022-10-21",
      "track_count": 14,
      "genres": [
        "Pop",
        "Music"
      ],
      "audio_traits": [
        "atmos",
        "lossless",
        "lossy_stereo",
        "spatial"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": true,
      "is_explicit": true,
      "is_clean_version": false,
      "description": {
        "title": null,
        "tagline": null,
        "short": "“The stories of 13 sleepless nights” in stunning Spatial Audio.",
        "full": "Let‘s start with that speech. In September 2022, as Taylor Swift accepted Songwriter-Artist of the Decade honors at the Nashville Songwriter Awards, the headline was that Swift had unveiled an admittedly “dorky” system she’d developed for organizing her own songs. Quill Pen, Fountain Pen, Glitter Gel Pen: three categories of lyrics, three imagined tools with which she wrote them, one pretty ingenious way to invite obsessive fans to lovingly obsess all the more.\n\nAnd yet, perhaps the real takeaway was the manner in which she spoke about her craft that night, some 20 years after writing her first song at the age of 12. “I love doing this thing we are fortunate enough to call a job,” she said to a room of her peers. “Writing songs is my life’s work and my hobby and my never-ending thrill. A song can defy logic or time. A good song transports you to your truest feelings and translates those feelings for you. A good song stays with you even when people or feelings don’t.”\n\nOn Midnights, her tenth LP and fourth in as many years—if you don’t count the two she’s just rerecorded and buttressed with dozens of additional tracks—Swift sounds like she’s really enjoying her work, playing with language like kids do with gum, thrilling to the texture of every turn of phrase, the charge in every melody and satisfying rhyme. Alongside longtime collaborator Jack Antonoff, she’s set out here to tell “the stories of 13 sleepless nights scattered throughout [her] life,” as she phrased it in a message to Apple Music subscribers. It’s a concept that naturally calls for a nocturnal palette: slower tempos, hushed atmosphere, negative space like night sky. \n\nThe sound is fully modern (synths you’d want to eat or sleep in, low end that sits comfortably on your chest), while the aesthetic (soft focus, wood paneling, tracklist on the cover) is decidedly mid-century, much like the Mad Men-inspired title of its brooding opener, “Lavender Haze”—a song about finding refuge in the glow of intimacy. “Talk your talk and go viral,” she sings, in reference to the maelstrom of outside interest in her six-year relationship with actor Joe Alwyn. “I just want this love spiral.” (A big shout to Antonoff for those spongy backup vocals, btw.) \n\nIn large part, Midnights is a record of interiors, Swift letting us glimpse the chaos inside her head (“Anti-Hero,” wall-to-wall zingers) and the stillness of her relationship (“Sweet Nothing,” co-written by Alwyn under his William Bowery pseudonym). For “Snow on the Beach,” she teams up with Lana Del Rey—an artist whose instinct for mood and theatrical framing seems to have influenced Swift’s recent catalog—recalling the magic of an impossible night over a backdrop of pizzicato violin, sleigh bells, and dreamy Mellotron, like the earliest hours of Christmas morning. “I’ve never seen someone lit from within,” Swift sings. “Blurring out my periphery.” \n\nBut then there’s “Bejeweled,” a late, 1989-like highlight on which she announces to an unappreciative partner, a few seconds in: “And by the way, I’m going out tonight.” And then out Swift goes, striding through the center of the song like she would the room: “I can still make the whole place shimmer,” she sings, relishing that last word. “And when I meet the band, they ask, ‘Do you have a man?’/I could still say, ‘I don’t remember.’” There are traces of melancholy layered in (see: “sapphire tears on my face”), but the song feels like a triumph, the sort of unabashed, extroverted fun that would have probably seemed out of place in the lockdown indie of 2020’s folklore and evermore. But here, side by side with songs and scenes of such writerly indulgence, it’s right at home—more proof that the terms “singer-songwriter” and “universal pop star” aren’t mutually exclusive ideas. “What’s a girl gonna do?” Swift asks at its climax. “A diamond’s gotta shine.”"
      },
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music112/v4/3d/01/f2/3d01f2e5-5a08-835f-3d30-d031720b2b80/22UM1IM07364.rgb.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music112/v4/3d/01/f2/3d01f2e5-5a08-835f-3d30-d031720b2b80/22UM1IM07364.rgb.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#eae7e3"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1650859878",
      "name": "Midnights (3am Edition)",
      "link": "https://music.apple.com/us/album/midnights-3am-edition/1650859878",
      "artist_name": "Taylor Swift",
      "release_type": "album",
      "record_label": "Taylor Swift",
      "copyright": "℗ 2022 Taylor Swift",
      "upc": "00602448851437",
      "release_date": "2022-10-21",
      "track_count": 20,
      "genres": [
        "Pop",
        "Music"
      ],
      "audio_traits": [
        "atmos",
        "lossless",
        "lossy_stereo",
        "spatial"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": true,
      "is_explicit": false,
      "is_clean_version": true,
      "description": {
        "title": null,
        "tagline": null,
        "short": "Taylor’s new LP, with seven additional songs—all in stunning Spatial Audio.",
        "full": "Let‘s start with that speech. In September 2022, as Taylor Swift accepted Songwriter-Artist of the Decade honors at the Nashville Songwriter Awards, the headline was that Swift had unveiled an admittedly “dorky” system she’d developed for organizing her own songs. Quill Pen, Fountain Pen, Glitter Gel Pen: three categories of lyrics, three imagined tools with which she wrote them, one pretty ingenious way to invite obsessive fans to lovingly obsess all the more.\n\nAnd yet, perhaps the real takeaway was the manner in which she spoke about her craft that night, some 20 years after writing her first song at the age of 12. “I love doing this thing we are fortunate enough to call a job,” she said to a room of her peers. “Writing songs is my life’s work and my hobby and my never-ending thrill. A song can defy logic or time. A good song transports you to your truest feelings and translates those feelings for you. A good song stays with you even when people or feelings don’t.”\n\nOn Midnights, her tenth LP and fourth in as many years—if you don’t count the two she’s just rerecorded and buttressed with dozens of additional tracks—Swift sounds like she’s really enjoying her work, playing with language like kids do with gum, thrilling to the texture of every turn of phrase, the charge in every melody and satisfying rhyme. Alongside longtime collaborator Jack Antonoff, she’s set out here to tell “the stories of 13 sleepless nights scattered throughout [her] life,” as she phrased it in a message to Apple Music subscribers. It’s a concept that naturally calls for a nocturnal palette: slower tempos, hushed atmosphere, negative space like night sky. \n\nThe sound is fully modern (synths you’d want to eat or sleep in, low end that sits comfortably on your chest), while the aesthetic (soft focus, wood paneling, tracklist on the cover) is decidedly mid-century, much like the Mad Men-inspired title of its brooding opener, “Lavender Haze”—a song about finding refuge in the glow of intimacy. “Talk your talk and go viral,” she sings, in reference to the maelstrom of outside interest in her six-year relationship with actor Joe Alwyn. “I just want this love spiral.” (A big shout to Antonoff for those spongy backup vocals, btw.) \n\nIn large part, Midnights is a record of interiors, Swift letting us glimpse the chaos inside her head (“Anti-Hero,” wall-to-wall zingers) and the stillness of her relationship (“Sweet Nothing,” co-written by Alwyn under his William Bowery pseudonym). For “Snow on the Beach,” she teams up with Lana Del Rey—an artist whose instinct for mood and theatrical framing seems to have influenced Swift’s recent catalog—recalling the magic of an impossible night over a backdrop of pizzicato violin, sleigh bells, and dreamy Mellotron, like the earliest hours of Christmas morning. “I’ve never seen someone lit from within,” Swift sings. “Blurring out my periphery.” \n\nBut then there’s “Bejeweled,” a late, 1989-like highlight on which she announces to an unappreciative partner, a few seconds in: “And by the way, I’m going out tonight.” And then out Swift goes, striding through the center of the song like she would the room: “I can still make the whole place shimmer,” she sings, relishing that last word. “And when I meet the band, they ask, ‘Do you have a man?’/I could still say, ‘I don’t remember.’” There are traces of melancholy layered in (see: “sapphire tears on my face”), but the song feels like a triumph, the sort of unabashed, extroverted fun that would have probably seemed out of place in the lockdown indie of 2020’s folklore and evermore. But here, side by side with songs and scenes of such writerly indulgence, it’s right at home—more proof that the terms “singer-songwriter” and “universal pop star” aren’t mutually exclusive ideas. “What’s a girl gonna do?” Swift asks at its climax. “A diamond’s gotta shine.”\n\nThis special expanded version of Midnights includes seven additional songs."
      },
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music112/v4/ff/e8/8a/ffe88ac5-9468-0671-9968-3438faad2cc1/22UM1IM22512.rgb.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music112/v4/ff/e8/8a/ffe88ac5-9468-0671-9968-3438faad2cc1/22UM1IM22512.rgb.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#eae7e3"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "590427297",
      "name": "Minutes to Midnight (Deluxe Edition)",
      "link": "https://music.apple.com/us/album/minutes-to-midnight-deluxe-edition/590427297",
      "artist_name": "LINKIN PARK",
      "release_type": "album",
      "record_label": "Warner Records",
      "copyright": "℗ 2007 Warner Records Inc.",
      "upc": "093624948971",
      "release_date": "2007-05-14",
      "track_count": 14,
      "genres": [
        "Hard Rock",
        "Music",
        "Rock",
        "Metal",
        "Alternative"
      ],
      "audio_traits": [
        "lossless",
        "lossy_stereo"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": true,
      "is_explicit": true,
      "is_clean_version": false,
      "description": {
        "title": null,
        "tagline": null,
        "short": "Linkin Park started to move beyond the rap-metal template.",
        "full": "With this 2007 album, Linkin Park started to move beyond the rap-metal template that made the band icons in the first half of the 2000s. Lead single “Shadow of the Day” features strings and an unusually tender vocal from Chester Bennington. Of course, one can’t discount the bleak refrain lying just under the song’s sweet surface:  “The shadow of the day / Will embrace the world in grey.”  “Valentine’s Day” and “Leave Out All the Rest” follow the blueprint of “Shadow of the Day,” and at first it seems that Linkin Park might now have more in common with Coldplay than Korn. But “Given Up,” “Bleed It Out,” and “No More Sorrow” are furious performances that match, and perhaps even outdo, classic Linkin Park songs like “Numb” and “Crawling.”  Producer Rick Rubin has brought out the best in the band, and with Minutes to Midnight they manage to incorporate new sounds and attitudes without abandoning the aggressive rock that made them a household name."
      },
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music125/v4/73/03/56/730356d5-a510-3d3f-d3c6-171f64700d35/093624948971.jpg/1425x1425bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music125/v4/73/03/56/730356d5-a510-3d3f-d3c6-171f64700d35/093624948971.jpg/{w}x{h}bb.jpg",
        "width": 1425,
        "height": 1425,
        "background_color": "#fffefc"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1667941129",
      "name": "Midnights (The Violin Covers)",
      "link": "https://music.apple.com/us/album/midnights-the-violin-covers/1667941129",
      "artist_name": "Ana Done",
      "release_type": "album",
      "record_label": "I'm Done Productions",
      "copyright": "℗ 2023 I'm Done Productions",
      "upc": "198009051724",
      "release_date": "2023-03-02",
      "track_count": 21,
      "genres": [
        "Instrumental",
        "Music"
      ],
      "audio_traits": [
        "lossless",
        "lossy_stereo"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": false,
      "is_explicit": false,
      "is_clean_version": false,
      "description": null,
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music126/v4/4b/c2/8e/4bc28eee-b632-b071-0346-a9717a80b51e/198009051724.png/2625x2625bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music126/v4/4b/c2/8e/4bc28eee-b632-b071-0346-a9717a80b51e/198009051724.png/{w}x{h}bb.jpg",
        "width": 2625,
        "height": 2625,
        "background_color": "#e8e7e5"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1663716637",
      "name": "Midnights (Piano Version)",
      "link": "https://music.apple.com/us/album/midnights-piano-version/1663716637",
      "artist_name": "Relaxing Piano Covers",
      "release_type": "album",
      "record_label": "Relaxing Piano Covers",
      "copyright": "℗ 2023 Relaxing Piano Covers",
      "upc": "197510373981",
      "release_date": "2023-01-20",
      "track_count": 13,
      "genres": [
        "Pop",
        "Music",
        "New Age"
      ],
      "audio_traits": [
        "lossless",
        "lossy_stereo"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": false,
      "is_explicit": false,
      "is_clean_version": false,
      "description": null,
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music123/v4/6e/39/e4/6e39e463-c8f2-9e8c-78f3-e99f1fe337ca/artwork.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music123/v4/6e/39/e4/6e39e463-c8f2-9e8c-78f3-e99f1fe337ca/artwork.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#f4f4f4"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1695491329",
      "name": "Midnights (3Am Lofi Hip Hop Study Edition) [Deluxe]",
      "link": "https://music.apple.com/us/album/midnights-3am-lofi-hip-hop-study-edition-deluxe/1695491329",
      "artist_name": "lonelyboy, nom de plume & louisette",
      "release_type": "album",
      "record_label": "lonelyboy sound",
      "copyright": "℗ 2023 lonelyboy sound",
      "upc": "1963621456443",
      "release_date": "2023-07-19",
      "track_count": 27,
      "genres": [
        "Pop",
        "Music",
        "Easy Listening"
      ],
      "audio_traits": [
        "lossless",
        "lossy_stereo"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": false,
      "is_prerelease": false,
      "is_mastered_for_itunes": false,
      "is_explicit": false,
      "is_clean_version": false,
      "description": null,
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music116/v4/e3/f2/30/e3f230cd-4ddb-c452-da70-721c069af1f6/1963621456443_cover.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music116/v4/e3/f2/30/e3f230cd-4ddb-c452-da70-721c069af1f6/1963621456443_cover.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#4ebbda"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1645937456",
      "name": "Midnights",
      "link": "https://music.apple.com/us/album/midnights/1645937456",
      "artist_name": "Taylor Swift",
      "release_type": "album",
      "record_label": "Taylor Swift",
      "copyright": "℗ 2022 Taylor Swift",
      "upc": "00602448638786",
      "release_date": "2022-10-21",
      "track_count": 13,
      "genres": [
        "Pop",
        "Music"
      ],
      "audio_traits": [
        "atmos",
        "lossless",
        "lossy_stereo",
        "spatial"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": true,
      "is_explicit": true,
      "is_clean_version": false,
      "description": {
        "title": null,
        "tagline": null,
        "short": "“The stories of 13 sleepless nights” in stunning Spatial Audio.",
        "full": "Let‘s start with that speech. In September 2022, as Taylor Swift accepted Songwriter-Artist of the Decade honors at the Nashville Songwriter Awards, the headline was that Swift had unveiled an admittedly “dorky” system she’d developed for organizing her own songs. Quill Pen, Fountain Pen, Glitter Gel Pen: three categories of lyrics, three imagined tools with which she wrote them, one pretty ingenious way to invite obsessive fans to lovingly obsess all the more.\n\nAnd yet, perhaps the real takeaway was the manner in which she spoke about her craft that night, some 20 years after writing her first song at the age of 12. “I love doing this thing we are fortunate enough to call a job,” she said to a room of her peers. “Writing songs is my life’s work and my hobby and my never-ending thrill. A song can defy logic or time. A good song transports you to your truest feelings and translates those feelings for you. A good song stays with you even when people or feelings don’t.”\n\nOn Midnights, her tenth LP and fourth in as many years—if you don’t count the two she’s just rerecorded and buttressed with dozens of additional tracks—Swift sounds like she’s really enjoying her work, playing with language like kids do with gum, thrilling to the texture of every turn of phrase, the charge in every melody and satisfying rhyme. Alongside longtime collaborator Jack Antonoff, she’s set out here to tell “the stories of 13 sleepless nights scattered throughout [her] life,” as she phrased it in a message to Apple Music subscribers. It’s a concept that naturally calls for a nocturnal palette: slower tempos, hushed atmosphere, negative space like night sky. \n\nThe sound is fully modern (synths you’d want to eat or sleep in, low end that sits comfortably on your chest), while the aesthetic (soft focus, wood paneling, tracklist on the cover) is decidedly mid-century, much like the Mad Men-inspired title of its brooding opener, “Lavender Haze”—a song about finding refuge in the glow of intimacy. “Talk your talk and go viral,” she sings, in reference to the maelstrom of outside interest in her six-year relationship with actor Joe Alwyn. “I just want this love spiral.” (A big shout to Antonoff for those spongy backup vocals, btw.) \n\nIn large part, Midnights is a record of interiors, Swift letting us glimpse the chaos inside her head (“Anti-Hero,” wall-to-wall zingers) and the stillness of her relationship (“Sweet Nothing,” co-written by Alwyn under his William Bowery pseudonym). For “Snow on the Beach,” she teams up with Lana Del Rey—an artist whose instinct for mood and theatrical framing seems to have influenced Swift’s recent catalog—recalling the magic of an impossible night over a backdrop of pizzicato violin, sleigh bells, and dreamy Mellotron, like the earliest hours of Christmas morning. “I’ve never seen someone lit from within,” Swift sings. “Blurring out my periphery.” \n\nBut then there’s “Bejeweled,” a late, 1989-like highlight on which she announces to an unappreciative partner, a few seconds in: “And by the way, I’m going out tonight.” And then out Swift goes, striding through the center of the song like she would the room: “I can still make the whole place shimmer,” she sings, relishing that last word. “And when I meet the band, they ask, ‘Do you have a man?’/I could still say, ‘I don’t remember.’” There are traces of melancholy layered in (see: “sapphire tears on my face”), but the song feels like a triumph, the sort of unabashed, extroverted fun that would have probably seemed out of place in the lockdown indie of 2020’s folklore and evermore. But here, side by side with songs and scenes of such writerly indulgence, it’s right at home—more proof that the terms “singer-songwriter” and “universal pop star” aren’t mutually exclusive ideas. “What’s a girl gonna do?” Swift asks at its climax. “A diamond’s gotta shine.”"
      },
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music122/v4/8b/59/4b/8b594b75-5a1a-9a39-e003-b227d09d5b37/22UM1IM07364.rgb.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music122/v4/8b/59/4b/8b594b75-5a1a-9a39-e003-b227d09d5b37/22UM1IM07364.rgb.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#eae7e3"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1645937249",
      "name": "Midnights",
      "link": "https://music.apple.com/us/album/midnights/1645937249",
      "artist_name": "Taylor Swift",
      "release_type": "album",
      "record_label": "Taylor Swift",
      "copyright": "℗ 2022 Taylor Swift",
      "upc": "00602448638809",
      "release_date": "2022-10-21",
      "track_count": 13,
      "genres": [
        "Pop",
        "Music"
      ],
      "audio_traits": [
        "atmos",
        "lossless",
        "lossy_stereo",
        "spatial"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": true,
      "is_explicit": false,
      "is_clean_version": true,
      "description": {
        "title": null,
        "tagline": null,
        "short": "“The stories of 13 sleepless nights” in stunning Spatial Audio.",
        "full": "Let‘s start with that speech. In September 2022, as Taylor Swift accepted Songwriter-Artist of the Decade honors at the Nashville Songwriter Awards, the headline was that Swift had unveiled an admittedly “dorky” system she’d developed for organizing her own songs. Quill Pen, Fountain Pen, Glitter Gel Pen: three categories of lyrics, three imagined tools with which she wrote them, one pretty ingenious way to invite obsessive fans to lovingly obsess all the more.\n\nAnd yet, perhaps the real takeaway was the manner in which she spoke about her craft that night, some 20 years after writing her first song at the age of 12. “I love doing this thing we are fortunate enough to call a job,” she said to a room of her peers. “Writing songs is my life’s work and my hobby and my never-ending thrill. A song can defy logic or time. A good song transports you to your truest feelings and translates those feelings for you. A good song stays with you even when people or feelings don’t.”\n\nOn Midnights, her tenth LP and fourth in as many years—if you don’t count the two she’s just rerecorded and buttressed with dozens of additional tracks—Swift sounds like she’s really enjoying her work, playing with language like kids do with gum, thrilling to the texture of every turn of phrase, the charge in every melody and satisfying rhyme. Alongside longtime collaborator Jack Antonoff, she’s set out here to tell “the stories of 13 sleepless nights scattered throughout [her] life,” as she phrased it in a message to Apple Music subscribers. It’s a concept that naturally calls for a nocturnal palette: slower tempos, hushed atmosphere, negative space like night sky. \n\nThe sound is fully modern (synths you’d want to eat or sleep in, low end that sits comfortably on your chest), while the aesthetic (soft focus, wood paneling, tracklist on the cover) is decidedly mid-century, much like the Mad Men-inspired title of its brooding opener, “Lavender Haze”—a song about finding refuge in the glow of intimacy. “Talk your talk and go viral,” she sings, in reference to the maelstrom of outside interest in her six-year relationship with actor Joe Alwyn. “I just want this love spiral.” (A big shout to Antonoff for those spongy backup vocals, btw.) \n\nIn large part, Midnights is a record of interiors, Swift letting us glimpse the chaos inside her head (“Anti-Hero,” wall-to-wall zingers) and the stillness of her relationship (“Sweet Nothing,” co-written by Alwyn under his William Bowery pseudonym). For “Snow on the Beach,” she teams up with Lana Del Rey—an artist whose instinct for mood and theatrical framing seems to have influenced Swift’s recent catalog—recalling the magic of an impossible night over a backdrop of pizzicato violin, sleigh bells, and dreamy Mellotron, like the earliest hours of Christmas morning. “I’ve never seen someone lit from within,” Swift sings. “Blurring out my periphery.” \n\nBut then there’s “Bejeweled,” a late, 1989-like highlight on which she announces to an unappreciative partner, a few seconds in: “And by the way, I’m going out tonight.” And then out Swift goes, striding through the center of the song like she would the room: “I can still make the whole place shimmer,” she sings, relishing that last word. “And when I meet the band, they ask, ‘Do you have a man?’/I could still say, ‘I don’t remember.’” There are traces of melancholy layered in (see: “sapphire tears on my face”), but the song feels like a triumph, the sort of unabashed, extroverted fun that would have probably seemed out of place in the lockdown indie of 2020’s folklore and evermore. But here, side by side with songs and scenes of such writerly indulgence, it’s right at home—more proof that the terms “singer-songwriter” and “universal pop star” aren’t mutually exclusive ideas. “What’s a girl gonna do?” Swift asks at its climax. “A diamond’s gotta shine.”"
      },
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music112/v4/11/33/de/1133deee-070e-98d3-950a-2269807b074e/22UM1IM24801.rgb.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music112/v4/11/33/de/1133deee-070e-98d3-950a-2269807b074e/22UM1IM24801.rgb.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#eae7e3"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "695318295",
      "name": "Midnight Memories (Deluxe Edition)",
      "link": "https://music.apple.com/us/album/midnight-memories-deluxe-edition/695318295",
      "artist_name": "One Direction",
      "release_type": "album",
      "record_label": "Syco Music",
      "copyright": "℗ 2013 Simco Limited under exclusive license to Sony Music Entertainment UK Limited",
      "upc": "886444165716",
      "release_date": "2013-11-25",
      "track_count": 18,
      "genres": [
        "Pop",
        "Music",
        "Rock",
        "Dance",
        "Teen Pop",
        "Pop/Rock"
      ],
      "audio_traits": [
        "lossless",
        "lossy_stereo"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": false,
      "is_explicit": false,
      "is_clean_version": false,
      "description": {
        "title": null,
        "tagline": "Essential Album",
        "short": "The world’s biggest boy band grew up—and so did their sound.",
        "full": "Calling the lead single from your album “Best Song Ever” could be misconstrued as an act of almighty hubris, especially from a boy band constructed by Simon Cowell on a reality TV singing competition. The song is actually a play on words—not that it really matters: By the time One Direction released their third record, Midnight Memories, the group had shaken off their manufactured mantle to become the biggest British group since The Beatles. While the rest of pop was still hypnotized by the euphoric highs of EDM, One Direction swerved left. Their first two albums served up safe and peppy (read: kid-friendly) pop rock along with schmalzy balladry that ensured the faces of band members—Harry Styles, Zayn Malik, Niall Horan, Liam Payne, and Louis Tomlinson—were plastered over teenage bedroom walls the world over. \n\nHowever, by their third album in as many years, One Direction had become so ginormous that their cheeky, youthful sound needed to grow with them. Gone were the foppish haircuts and clean-cut image: This mature version of One Direction were rugged and had designer stubble, their boyish charm replaced with the brawn of young adulthood. And so, the songs on Midnight Memories feel more muscular and beefy. The Def Leppard-esque title track is a perfect example, with its thrashing ’80s hair metal guitars and chant-a-long chorus, but there’s also more sophistication to the songwriting, too. “Diana,” which was co-written by Payne and Tomlinson, contains one of the band’s catchiest choruses and remains among their best songs, while “Little Black Dress” is genuinely sexy, the group singing “I wanna see the way you move for me, baby” over scuzzy and strutting guitars. \n\nThis Deluxe version also included four bonus tracks: Some, like the pogoing “Why Don’t We Go There” and the slick “Does He Know?,” feel more closely aligned to the band’s softer early material. “Alive” leans heavily into the record’s beer-bottle swigging rock ’n’ roll, albeit with a bright-eyed chorus so sweet you could safely take it home to meet the parents. \n\nOne Direction were a band unafraid to wear their references boldly and that is especially apparent on Midnight Memories. You’ll find prominent nods to the strumming folk rock of Mumford & Sons (“Happily,” “Something Great,” “Story of My Life,” “Through the Dark”), echoes of The Police (“Diana”), elements of The Who (“Best Song Ever”), and even later-years Take That (“You & I” and “Right Now”). And the boys were clearly still having so much fun, as evidenced on the soaring “Better Than Words,” its lyrics a roll call of instantly recognizable song titles (“Crazy in love/Dancing on the ceiling”). They would maintain that zest for one more album together, the prophetically titled Four, before Malik would exit to pursue a solo career. In the story of their life as a band, though, Midnight Memories stands out as a particularly special moment."
      },
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Features125/v4/66/75/88/6675882c-3685-2b6b-f9de-c6d3e06602b5/dj.fuklqvvg.jpg/1500x1500bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Features125/v4/66/75/88/6675882c-3685-2b6b-f9de-c6d3e06602b5/dj.fuklqvvg.jpg/{w}x{h}bb.jpg",
        "width": 1500,
        "height": 1500,
        "background_color": "#615f60"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1652743422",
      "name": "Midnights (Piano Instrumental)",
      "link": "https://music.apple.com/us/album/midnights-piano-instrumental/1652743422",
      "artist_name": "Peaceful Noise",
      "release_type": "album",
      "record_label": "Peaceful Noise",
      "copyright": "℗ 2022 Peaceful Noise",
      "upc": "198001958489",
      "release_date": "2022-11-02",
      "track_count": 20,
      "genres": [
        "Pop",
        "Music"
      ],
      "audio_traits": [
        "lossless",
        "lossy_stereo"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": false,
      "is_explicit": false,
      "is_clean_version": false,
      "description": null,
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music122/v4/70/e1/d5/70e1d5c5-d17f-8527-3b49-dcecef64918f/198001958489.png/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music122/v4/70/e1/d5/70e1d5c5-d17f-8527-3b49-dcecef64918f/198001958489.png/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#f4f2f3"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1651516410",
      "name": "Midnights (3am Edition / Video Deluxe)",
      "link": "https://music.apple.com/us/album/midnights-3am-edition-video-deluxe/1651516410",
      "artist_name": "Taylor Swift",
      "release_type": "album",
      "record_label": "Taylor Swift",
      "copyright": "℗ 2022 Taylor Swift",
      "upc": "00602448875846",
      "release_date": "2022-10-21",
      "track_count": 42,
      "genres": [
        "Pop",
        "Music"
      ],
      "audio_traits": [
        "atmos",
        "lossless",
        "lossy_stereo",
        "spatial"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": true,
      "is_explicit": true,
      "is_clean_version": false,
      "description": null,
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music112/v4/03/3f/fc/033ffc8e-92c9-a104-d1d8-2737764cd42f/22UM1IM21884.rgb.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music112/v4/03/3f/fc/033ffc8e-92c9-a104-d1d8-2737764cd42f/22UM1IM21884.rgb.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#eae7e3"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1779239306",
      "name": "midnights (3am edition), but synthwave",
      "link": "https://music.apple.com/us/album/midnights-3am-edition-but-synthwave/1779239306",
      "artist_name": "louisette",
      "release_type": "album",
      "record_label": "lonelyboy sound",
      "copyright": "℗ 2024 lonelyboy sound",
      "upc": "1963622703287",
      "release_date": "2024-11-22",
      "track_count": 20,
      "genres": [
        "Electronic",
        "Music",
        "Pop"
      ],
      "audio_traits": [
        "lossless",
        "lossy_stereo"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": false,
      "is_prerelease": false,
      "is_mastered_for_itunes": false,
      "is_explicit": false,
      "is_clean_version": false,
      "description": null,
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music221/v4/48/8a/34/488a34a9-e036-722d-29d7-79b77869a6bc/1963622703287_cover.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music221/v4/48/8a/34/488a34a9-e036-722d-29d7-79b77869a6bc/1963622703287_cover.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#ffffff"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1817499239",
      "name": "Midnight Sun",
      "link": "https://music.apple.com/us/album/midnight-sun/1817499239",
      "artist_name": "Zara Larsson",
      "release_type": "album",
      "record_label": "Sommer House/Epic",
      "copyright": "℗ 2025 Sommer House, under exclusive license to Epic Records, a division of Sony Music Entertainment.",
      "upc": "196873177199",
      "release_date": "2025-09-26",
      "track_count": 10,
      "genres": [
        "Pop",
        "Music"
      ],
      "audio_traits": [
        "atmos",
        "lossless",
        "lossy_stereo",
        "spatial"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": false,
      "is_explicit": true,
      "is_clean_version": false,
      "description": {
        "title": null,
        "tagline": "New Album",
        "short": "The Swedish dance-pop star finds a new level of audacity and ecstasy.",
        "full": "Swedish pop phenom Zara Larsson has spent her career steadily building towards a point of pure dance-floor ecstasy, and her fifth album Midnight Sun represents the point where she’s seemingly finally reached the summit. Executive-produced by British dance-pop wizard MNEK, the follow-up to 2024’s VENUS is bigger, brasher, and more audacious than its predecessor. A clear point of comparison is the total head-rush pop of fellow Swede Tove Lo, only instead of neon-lit clubs, the locale is the sweltering, sandy beach environ evoked in the indelible “Eurosummer.”\n\nHedonism is the name of the game across Midnight Sun: Just check out the zippy synths that stomp down the catwalk of “Hot & Sexy” or the low-riding and “Hollaback Girl”-recalling crunk of “Pretty Ugly.” Even the more subtle moments here—the skyscraping pop of “Blue Moon,” the perfectionist’s-lament sweep of “The Ambition”—feel jam-packed with sound, a true reflection of a pop star pushing her music to the limits and then some."
      },
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music211/v4/fb/1d/2d/fb1d2d1c-0f79-53ad-ab9b-ac20918b5856/196873177199.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music211/v4/fb/1d/2d/fb1d2d1c-0f79-53ad-ab9b-ac20918b5856/196873177199.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#161c2a"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1891521079",
      "name": "Midnights",
      "link": "https://music.apple.com/us/album/midnights/1891521079",
      "artist_name": "Basmati",
      "release_type": "album",
      "record_label": "Kabul Fire Records",
      "copyright": "℗ 2024 Kabul Fire Records",
      "upc": "4260652272552",
      "release_date": "2024-02-02",
      "track_count": 8,
      "genres": [
        "Hip-Hop/Rap",
        "Music"
      ],
      "audio_traits": [
        "lossless",
        "lossy_stereo"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": false,
      "is_explicit": false,
      "is_clean_version": false,
      "description": null,
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music221/v4/fc/47/ae/fc47aefe-9c7e-cfdb-e444-c958aed6155b/4260652272552_3000.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music221/v4/fc/47/ae/fc47aefe-9c7e-cfdb-e444-c958aed6155b/4260652272552_3000.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#14112e"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1677097948",
      "name": "Midnights (Julie's Version)",
      "link": "https://music.apple.com/us/album/midnights-julies-version/1677097948",
      "artist_name": "julie on the internet",
      "release_type": "album",
      "record_label": "julie on the internet",
      "copyright": "℗ 2023 julie on the internet",
      "upc": "859771293490",
      "release_date": "2023-03-22",
      "track_count": 13,
      "genres": [
        "Instrumental",
        "Music",
        "Pop"
      ],
      "audio_traits": [
        "lossless",
        "lossy_stereo"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": false,
      "is_explicit": true,
      "is_clean_version": false,
      "description": null,
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music116/v4/45/91/44/459144e2-3535-68f9-b55a-d16dc5b21860/859771293490_cover.jpg/1400x1400bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music116/v4/45/91/44/459144e2-3535-68f9-b55a-d16dc5b21860/859771293490_cover.jpg/{w}x{h}bb.jpg",
        "width": 1400,
        "height": 1400,
        "background_color": "#ffffff"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1551703720",
      "name": "Mr. Midnight",
      "link": "https://music.apple.com/us/album/mr-midnight/1551703720",
      "artist_name": "Larry June",
      "release_type": "album",
      "record_label": "The Freeminded Records",
      "copyright": "℗ 2019 The Freeminded Records",
      "upc": "194690432361",
      "release_date": "2019-06-29",
      "track_count": 10,
      "genres": [
        "Hip-Hop/Rap",
        "Music"
      ],
      "audio_traits": [
        "lossless",
        "lossy_stereo"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": false,
      "is_explicit": true,
      "is_clean_version": false,
      "description": null,
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music124/v4/32/96/a2/3296a25b-ccfb-b3e0-e862-ba2db94fa0f0/194690432361_cover.jpg/1500x1500bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music124/v4/32/96/a2/3296a25b-ccfb-b3e0-e862-ba2db94fa0f0/194690432361_cover.jpg/{w}x{h}bb.jpg",
        "width": 1500,
        "height": 1500,
        "background_color": "#c9c2c3"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1797308922",
      "name": "Midnights - EP",
      "link": "https://music.apple.com/us/album/midnights-ep/1797308922",
      "artist_name": "Beyond the Sunset",
      "release_type": "ep",
      "record_label": "Beyond the Sunset",
      "copyright": "℗ 2025 Beyond the Sunset",
      "upc": "5059449210971",
      "release_date": "2025-02-28",
      "track_count": 5,
      "genres": [
        "New Age",
        "Music"
      ],
      "audio_traits": [
        "lossless",
        "lossy_stereo"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": false,
      "is_explicit": false,
      "is_clean_version": false,
      "description": null,
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music221/v4/30/ef/bf/30efbfa6-714e-d2a3-9965-b8e70bc7316b/5059449210971.png/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music221/v4/30/ef/bf/30efbfa6-714e-d2a3-9965-b8e70bc7316b/5059449210971.png/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#4d6173"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1473974633",
      "name": "Midnight Hour - Single",
      "link": "https://music.apple.com/us/album/midnight-hour-single/1473974633",
      "artist_name": "Skrillex, Boys Noize & Ty Dolla $ign",
      "release_type": "single",
      "record_label": "OWSLA/Atlantic",
      "copyright": "℗ 2019 OWSLA/Atlantic Records, Inc. for the United States and WEA International Inc. for the world outside of the United States",
      "upc": "075679843494",
      "release_date": "2019-08-29",
      "track_count": 1,
      "genres": [
        "Dance",
        "Music"
      ],
      "audio_traits": [
        "lossless",
        "lossy_stereo"
      ],
      "is_single": true,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": false,
      "is_explicit": false,
      "is_clean_version": false,
      "description": null,
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music114/v4/4d/11/50/4d1150ed-4803-f022-6e99-b973f0896c86/075679843494.jpg/1425x1425bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music114/v4/4d/11/50/4d1150ed-4803-f022-6e99-b973f0896c86/075679843494.jpg/{w}x{h}bb.jpg",
        "width": 1425,
        "height": 1425,
        "background_color": "#19091c"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "1502338860",
      "name": "Midnight (feat. Liam Payne) - Single",
      "link": "https://music.apple.com/us/album/midnight-feat-liam-payne-single/1502338860",
      "artist_name": "Alesso",
      "release_type": "single",
      "record_label": "10:22 pm",
      "copyright": "10:22 pm; ℗ 2020 Alefune AB, under exclusive license to UMG Recordings, Inc.",
      "upc": "00602508893728",
      "release_date": "2020-04-08",
      "track_count": 1,
      "genres": [
        "Dance",
        "Music"
      ],
      "audio_traits": [
        "atmos",
        "lossless",
        "lossy_stereo",
        "spatial"
      ],
      "is_single": true,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": true,
      "is_explicit": false,
      "is_clean_version": false,
      "description": null,
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music113/v4/73/8e/5c/738e5cf5-5517-4483-1367-138432373b1f/20UMGIM17207.rgb.jpg/5080x5080bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music113/v4/73/8e/5c/738e5cf5-5517-4483-1367-138432373b1f/20UMGIM17207.rgb.jpg/{w}x{h}bb.jpg",
        "width": 5080,
        "height": 5080,
        "background_color": "#090c0d"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "265670545",
      "name": "Midnight Marauders",
      "link": "https://music.apple.com/us/album/midnight-marauders/265670545",
      "artist_name": "A Tribe Called Quest",
      "release_type": "album",
      "record_label": "Jive",
      "copyright": "℗ 1993 Zomba Recording LLC",
      "upc": "012414149022",
      "release_date": "1993-11-09",
      "track_count": 14,
      "genres": [
        "Rap",
        "Music",
        "Hip-Hop/Rap",
        "East Coast Rap",
        "Alternative Rap"
      ],
      "audio_traits": [
        "lossless",
        "lossy_stereo"
      ],
      "is_single": false,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": false,
      "is_explicit": true,
      "is_clean_version": false,
      "description": {
        "title": null,
        "tagline": null,
        "short": "The effervescent boom-bap pivot from the influential Native Tongues crew.",
        "full": "A Tribe Called Quest helped give rap music a new sound and attitude on albums like 1990's People's Instinctive Travels and the Paths of Rhythm and 1991's The Low End Theory, where the quartet's casual cool, jazz-heavy sample crate, and free-wheeling experimentation contributed to the nascent movement eventually dubbed \"alternative hip-hop.\" Their third album, 1993's Midnight Marauders, may not be as influential, but it could be their most beloved. Released the same year as Wu-Tang Clan's Enter the Wu-Tang, KRS-One's Return of the Boom Bap, and Black Moon's Enta Da Stage, the album was perhaps the lushest and funkiest in a movement of technically proficient, rhythmically propulsive, purist-friendly rap music taking the art form back to its hard-hitting New York roots. Tribe’s melodies still chilled in that mellow nexus of ’70s jazz, funk, and soul—think Roy Ayers, George Duke, Minnie Riperton, and Weldon Irvine—but their drums cracked and knocked like they were made to blow headphone speakers. \n\nHit singles like \"Electric Relaxation\" and \"Award Tour\" (the group's highest charting song to date) represent the album's commitment to calm demeanors, rugged beats, and pop savvy. The group continued the conscious streak that made them rap legends: \"Sucka Nigga\" is rapper Q-Tip's complicated thesis on the politics of using the N-word, which had been going through the process of being reclaimed by fellow rappers. But the album's most iconic lines were giddy fun that set them apart. Though there's no shortage of Phife Dawg gems here, few can top this boast from \"Oh My God\": \"Mr. Energetic/Who me, sound pathetic?/When's the last time you heard a funky diabetic?\""
      },
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music126/v4/d1/90/11/d1901153-4595-7f2f-12d2-661be9eef883/012414149022.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music126/v4/d1/90/11/d1901153-4595-7f2f-12d2-661be9eef883/012414149022.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#59544a"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    },
    {
      "id": "6793615666",
      "name": "MIDNIGHTS - Single",
      "link": "https://music.apple.com/us/album/midnights-single/6793615666",
      "artist_name": "Lourde Childs",
      "release_type": "single",
      "record_label": "Lourde Childs",
      "copyright": "℗ 2024 Lourde Childs",
      "upc": "198470625417",
      "release_date": "2024-04-05",
      "track_count": 1,
      "genres": [
        "Pop",
        "Music"
      ],
      "audio_traits": [
        "lossless",
        "lossy_stereo"
      ],
      "is_single": true,
      "is_compilation": false,
      "is_complete": true,
      "is_prerelease": false,
      "is_mastered_for_itunes": false,
      "is_explicit": false,
      "is_clean_version": false,
      "description": null,
      "artwork": {
        "link": "https://is1-ssl.mzstatic.com/image/thumb/Music221/v4/e9/f4/2c/e9f42ccd-c8cb-0ce6-eb77-f1d765b385ea/1234597.jpg/3000x3000bb.jpg",
        "template_link": "https://is1-ssl.mzstatic.com/image/thumb/Music221/v4/e9/f4/2c/e9f42ccd-c8cb-0ce6-eb77-f1d765b385ea/1234597.jpg/{w}x{h}bb.jpg",
        "width": 3000,
        "height": 3000,
        "background_color": "#1a1c1b"
      },
      "editorial_artwork": null,
      "motion_artwork": null,
      "classical_link": null
    }
  ]
}