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/movies/detailsMovie Details
Get a full movie page in one call: Metascore, user score, cast, crew, awards, trailer and top reviews.
QUERY PARAMS
Movie slug or any metacritic.com movie link.
Examples:
- Slug:
oppenheimer - URL:
https://www.metacritic.com/movie/oppenheimer/
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"quote": "Christopher Nolan deserves every superlative for his brilliant take on J. Robert Oppenheimer (a flawless Cillian Murphy), the dark knight of the atomic age. This terrifying, transfixing three-hour epic emerges as a monumental achievement on the march into screen history.",
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"quote": "In a way, Oppenheimer is like atomic physics: Each tiny spark interlocks to create a massive, breathtaking, terrifying, conflagration.",
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"quote": "Oppenheimer is one of those shoot-for-the-moon projects that feels thrilling and wonky, brilliant and overstuffed, too much and yet not enough. It’s also a movie that brings to mind the difficult era-spanning epics of yesteryear, from Reds to The Right Stuff, and is a movie made by adults for adults yet done with the sweep and majesty we now associate with movies made for kids and teens.",
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"link": "https://www.rollingstone.com/tv-movies/tv-movie-reviews/oppenheimer-review-christopher-nolan-cillian-murphy-florence-pugh-1234783350/",
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"quote": "The true test of 'Oppenheimer' is whether Nolan can maintain his typically mammoth vision with a narrative that mostly comprises white men talking in small rooms. Like his protagonist, the writer/director succeeds in a grand and unexpectedly horrifying fashion.",
"score": 90,
"date": "2023-07-24",
"link": "https://wegotthiscovered.com/reviews/christopher-nolan-forgoes-spectacle-for-intimacy-in-the-riveting-oppenheimer/",
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"quote": "What you will piece together during the first viewing—including marvelous grace notes such as Oppenheimer’s taste for syrup-dipped cocktail glasses—will be enough to keep you glued to the action.",
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"quote": "By the time Oppenheimer ends, it becomes more about the interpersonal problems of two miniscule men—miniscule, at least, against the backdrop of the cataclysmic, world-destroying questions and implications it had been exploring.",
"score": 75,
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"quote": "With all of its quick cuts and time-hopping, Oppenheimer behaves like a film that’s worried that it won’t have the space to fit everything it wants to say and do into three hours. Then it exhausts its welcome in the service of reiterating points. Then it delivers lectures in case you missed the earlier rounds. It knows how to blow up the world, but it doesn’t know when to quit.",
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"date": "2023-07-19",
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"quote": "Nolan’s Oppenheimer barely qualifies as a biopic, at least not the thudding Hollywood variety. Instead it’s a movie — a masterful one, among his best — investigating the nature of power: how it is created, how it is kept in balance, and how it leads people into murky quandaries that refuse simplistic answers.",
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"quote": "Mr. Nolan’s utterly enthralling film lasts three hours. But despite being as talky as a math seminar, it crackles, hurtles and whooshes, generating more suspense and excitement than anything found in the alleged climaxes of the recent superhero pictures (which owe much to the director’s Batman films).",
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"quote": "Though they may seem disparate, the many elements of Oppenheimer refract and reflect each other, like a bunch of atoms creating a chain reaction or a group of scientists building off each other's ideas to forge something new.",
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"link": "https://ew.com/movies/movie-reviews/oppenheimer-review-christopher-nolan/",
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"quote": "In Oppenheimer, Christopher Nolan takes an eggheady topic and, without insulting anyone’s intelligence, turns it into a gut-level experience. He shows that the kind of hyper, jacked-up, ultra-modern filmmaking associated with the action and superhero genres can be harnessed in the service of a smart, serious movie.",
"score": 100,
"date": "2023-07-19",
"link": "https://datebook.sfchronicle.com/movies-tv/oppenheimer-cillian-murphy-florence-pugh-18197814",
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{
"quote": "“Oppenheimer” is a great achievement in formal and conceptual terms, and fully absorbing, but Nolan’s filmmaking is, crucially, in service to the history that it relates.",
"score": 100,
"date": "2023-07-19",
"link": "https://www.nytimes.com/2023/07/19/movies/oppenheimer-review-christopher-nolan.html",
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"author": {
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{
"quote": "No matter its broader effect, Oppenheimer is a mainstream offering of uncommon resonance, sending the viewer out of the theater head-spun and itchy-eyed, ears ringing from all its sophisticated, voluble explosion.",
"score": 100,
"date": "2023-07-19",
"link": "https://www.vanityfair.com/hollywood/2023/07/oppenheimer-christopher-nolan-review",
"publication": {
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"quote": "Oppenheimer sacrifices much of its dramatic force to the importance of its subject, and to Nolan’s pride at having tackled it—which is to say, to his own self-importance.",
"score": 60,
"date": "2023-07-26",
"link": "https://www.newyorker.com/culture/the-front-row/oppenheimer-is-ultimately-a-history-channel-movie-with-fancy-editing",
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"quote": "With all of its quick cuts and time-hopping, Oppenheimer behaves like a film that’s worried that it won’t have the space to fit everything it wants to say and do into three hours. Then it exhausts its welcome in the service of reiterating points. Then it delivers lectures in case you missed the earlier rounds. It knows how to blow up the world, but it doesn’t know when to quit.",
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"quote": "A biographical drama by C. Nolan, Oppenheimer shows how incredibly Christopher Nolan handled Robert Oppenheimer’s story. The movie is three hours long, yet it is fast-paced and compelling throughout, with Ludwig Göransson doing an incredible job embellishing the scenes with his music.",
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"quote": "This is probably my favourite Christipher Nolan movie and even favourite movie of all time. The end gave me chills and goosebumps",
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"quote": "It was boring and political. I came for the science and got a bunch of irrelevant affairs, infighting and power struggles. Nor was he particularly interesting as a person. The \"trial\" was painful to watch and not interesting. Predictable. I would have enjoyed a movie centered around Feynman instead.",
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"quote": "This movie is the actual definition of watchable once. The length of the movie made to play chess, or just do anything else while the movie was going. Happy i didn't watched this at the cinemas.",
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"quote": "I’m really quite curious how anyone is supposed to take in much of the information contained in this film’s dialogue. It’s many years since Nolan fell into the habit of editing out the spaces between one character’s lines and the next character’s responses, the one or two seconds in which one speaker processes what the other has just said and formulates his or her response before replying. No time for those in a project of this size. We hear a line delivered and are jumped forward instantly to its response. On top of which many characters have heavy accents and nothing was done to alleviate the confusion this often caused on individual words. On top of which the writing’s trying to be clever as hell and boil itself down to a snappy shorthand. On top of which most of the dialogue is delivered very, very fast and often slurrily. On top of which most of the actors have adopted low, Batman-like monotones rather than the varying cadences ordinary humans use while speaking which help us distinguish one emotion, one subject or one part of a sentence from another. All the major people involved in making and financing this film had of course read the script and had all the time they needed to absorb the dialogue and its contents. Not so the audience. Most of this film’s exchanges come bearing rather startling amounts of information, whether scientific, character- or plot-related, and we’re seldom allowed any time at all to absorb it, neither between lines nor between conversation scenes themselves, which come at us in a nearly unbroken chain for three hours. What I suspect is that most viewers simply get the general gist of the movie and its conversations and are content with that. Then there’s the Emperor’s New Clothes element in which few viewers want to appear unintelligent and admit they were having considerable trouble following what the hell the characters were talking about most of the time. Nolan frequently illustrates scientific points through lightning-bursts of special effects tossed in during the dialogue. Obviously the purpose of these is to make the science clearer, but the effect instead is the opposite. If something’s being explained well, we start to form a mental picture of it ourselves. This requires us to concentrate closely on what we’re hearing, and I found that these jolting flashes of strange imagery consistently did nothing but break my concentration. The verbal information in these many scenes is (at least relatively) smooth and fluid, and then Nolan interjects visual information that’s jarring and eye-blink brief. I suspect the thinking was that by now a Nolan movie just wouldn’t feel like a Nolan movie without special effects of some kind, and there was pressure to find an occasion for them. Then there’s the man of the hour himself. The real Oppenheimer often seemed quite light-hearted about his work (Isidor Rabi described the ‘air of easy nonchalance’ he tended to affect) and most of those involved in the Manhattan Project reported that they’d never had more fun in their lives. This may have been an interesting angle to explore in a dramatization of the Project. And it’s about as far as one could imagine from what the film depicts. Murphy plays Oppenheimer as a man possessed of a perpetual bug-eyed intensity of alarming magnitude. A man who bears the weight of the world on his shoulders, a depiction more appropriate to an intelligent modern actor with an acute awareness of the enormity of the physicist’s impact on human history than to what we know of the man. Murphy’s Oppenheimer fixes the gaunt, moon-eyed stare of a cocaine addict on seemingly every person he speaks to for every moment he speaks to them, intoning Grave Seriousness in nearly every syllable in a breathy monotone deep and intense and bordering on Batman (so very opposite of the high, thin, Irish-tinted voice of the real J. Robert). There wasn’t an instant where I felt I was watching a plausible human being. Not that I much blame Murphy, of course. It’s the director’s job to avoid bad decisions. Indeed Downey, Safdie and half the other male actors also seem to be doing their best Dark Knight voice for most of the movie, the better to impart the grave, grave gravity of the proceedings. As with many of Nolan’s films, the overseriousness of the characters and of Zimmer’s score strikes me as distinctly comical. I read someone somewhere who said he found that the snippets about Oppenheimer sprinkled throughout Cormac McCarthy’s The Passenger and Stella Maris gave him a much better and clearer picture of both the man and the Manhattan Project than this entire three-hour movie did, and I’d agree heartily.",
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"quote": "I really didn't understand the hype this movie received. It's over-acted, weirdly paced, and the script somehow makes Oppenheimer a tragic figure.",
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"quote": "A biographical drama by C. Nolan, Oppenheimer shows how incredibly Christopher Nolan handled Robert Oppenheimer’s story. The movie is three hours long, yet it is fast-paced and compelling throughout, with Ludwig Göransson doing an incredible job embellishing the scenes with his music.",
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"quote": "Oppenheimer is probably as good as biopics can be. This must have been a hard time to write with all the explaining and the amount of characters this story had to introduce. But Christopher Nolan wasn't afraid to take it slow. This story is interesting, but it's not something that you'd expect to make almost a billion dollars at the box office. The dialogues are meaningful, natural, intriguing and thought-provoking. This film wouldn't work as well without the last lines spoken and if those weren't the last lines, they wouldn't have had the impact they had on probably everyone who watched it till the end. The characters are intriguing and imperfect. Having watched it four times now I understand everything story wise and I'm not confused about character names anymore. If I have one criticism about the writing it's that during the first watch I had a hard time remembering all the names. Also the way they hype up Dr. Hill who the audience doesn't know anything about is so funny to me. The directing is absolutely perfect. Christopher Nolan is the reason this movie works not just for cinephiles, but for many people around the world. The way he hypes up a scene where Oppie puts a suit on is awesome. The cinematography is great, with fitting camera movement, framing and simple, but good-looking lighting. The combination of the editing structure and the difference between the black & white and colour scenes makes the three hour ride intriguing and understandable despite the number of characters and timelines. The production design is beautiful and the fact that all the effects are practical is fascinating. The cast is insane. There are faces I did not recognize before, but having watched many movies since my third watch, I do know. It's insane how actors jump just like audiences when they hear the name of Christopher Nolan. The score and the acting performances elevate this movie to \"absolute cinema\" level. Ludwig Göransson is a master and now I truly believe this score is above anything I've ever heard, including Star Wars and The Lord of the Rings. The way the music agglutinates with the sound effects at times is fascinating. The performances are perfect. Everyone fits into the era and their character perfectly. The way I feel about this movie is mostly influenced by the score, Cillian Murphy's performance and the last scene. Oppenheimer is truly an incredible achievement, watching it in IMAX was amazing even though it was digital. I can't wait for The Odyssey.",
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"date": "2023-07-23",
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"quote": "Oppenheimer là phim sử thi căng thẳng và sâu sắc, khám phá thiên tài, đạo đức và bi kịch xoay quanh cha đẻ của bom nguyên tử.",
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"quote": "One of the best movies i've ever watched. Some scenes are truly breathtaking. Especially with the explosion of the bomb. Plot is really hard to understand though. Sometimes i was lost in timelines not knowing when that scene happens. But at the end i got the whole picture right. I think. Music is amazing and the ending is truly great. Nolan is truly a brilliant filmmaker and i hope he creates more movies in the future. But i'm sure that this will be my favourite movie from him no matter which ones he creates next because of the setting and genre.",
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"quote": "Oppenheimer has the bones **** movie. The first two thirds of the movie is excellent, the last third is absolutely awful and unnecessary. This movie would be a masterpiece if they cut an hour out of it.",
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"quote": "was kinda boring. I didn't get what the hype was about, and i'm not sure what I was expecting. 2 hrs into the movie and you're like\"ok why is Oppenheimer on trial? oh so that other guy who scouted him was just jealous?\" The way of storytelling was obtuse, and even though this film might be true to his life, it being court cases doesn't make for good film entertainment. A lot of tasteless nudity as well bordering the point of absurdity. I think this might have worked better as a mini series like Chernobyl, but packing all this dialogue into a 3 hr movie was incredibly boring. I was so antsy in the movie seat.",
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"quote": "It's just too long, so it makes the whole experience dull and inefficient from a narrative standpoint. Actors are great, but visually I preferred The Dark Knight.",
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"quote": "I’m really quite curious how anyone is supposed to take in much of the information contained in this film’s dialogue. It’s many years since Nolan fell into the habit of editing out the spaces between one character’s lines and the next character’s responses, the one or two seconds in which one speaker processes what the other has just said and formulates his or her response before replying. No time for those in a project of this size. We hear a line delivered and are jumped forward instantly to its response. On top of which many characters have heavy accents and nothing was done to alleviate the confusion this often caused on individual words. On top of which the writing’s trying to be clever as hell and boil itself down to a snappy shorthand. On top of which most of the dialogue is delivered very, very fast and often slurrily. On top of which most of the actors have adopted low, Batman-like monotones rather than the varying cadences ordinary humans use while speaking which help us distinguish one emotion, one subject or one part of a sentence from another. All the major people involved in making and financing this film had of course read the script and had all the time they needed to absorb the dialogue and its contents. Not so the audience. Most of this film’s exchanges come bearing rather startling amounts of information, whether scientific, character- or plot-related, and we’re seldom allowed any time at all to absorb it, neither between lines nor between conversation scenes themselves, which come at us in a nearly unbroken chain for three hours. What I suspect is that most viewers simply get the general gist of the movie and its conversations and are content with that. Then there’s the Emperor’s New Clothes element in which few viewers want to appear unintelligent and admit they were having considerable trouble following what the hell the characters were talking about most of the time. Nolan frequently illustrates scientific points through lightning-bursts of special effects tossed in during the dialogue. Obviously the purpose of these is to make the science clearer, but the effect instead is the opposite. If something’s being explained well, we start to form a mental picture of it ourselves. This requires us to concentrate closely on what we’re hearing, and I found that these jolting flashes of strange imagery consistently did nothing but break my concentration. The verbal information in these many scenes is (at least relatively) smooth and fluid, and then Nolan interjects visual information that’s jarring and eye-blink brief. I suspect the thinking was that by now a Nolan movie just wouldn’t feel like a Nolan movie without special effects of some kind, and there was pressure to find an occasion for them. Then there’s the man of the hour himself. The real Oppenheimer often seemed quite light-hearted about his work (Isidor Rabi described the ‘air of easy nonchalance’ he tended to affect) and most of those involved in the Manhattan Project reported that they’d never had more fun in their lives. This may have been an interesting angle to explore in a dramatization of the Project. And it’s about as far as one could imagine from what the film depicts. Murphy plays Oppenheimer as a man possessed of a perpetual bug-eyed intensity of alarming magnitude. A man who bears the weight of the world on his shoulders, a depiction more appropriate to an intelligent modern actor with an acute awareness of the enormity of the physicist’s impact on human history than to what we know of the man. Murphy’s Oppenheimer fixes the gaunt, moon-eyed stare of a cocaine addict on seemingly every person he speaks to for every moment he speaks to them, intoning Grave Seriousness in nearly every syllable in a breathy monotone deep and intense and bordering on Batman (so very opposite of the high, thin, Irish-tinted voice of the real J. Robert). There wasn’t an instant where I felt I was watching a plausible human being. Not that I much blame Murphy, of course. It’s the director’s job to avoid bad decisions. Indeed Downey, Safdie and half the other male actors also seem to be doing their best Dark Knight voice for most of the movie, the better to impart the grave, grave gravity of the proceedings. As with many of Nolan’s films, the overseriousness of the characters and of Zimmer’s score strikes me as distinctly comical. I read someone somewhere who said he found that the snippets about Oppenheimer sprinkled throughout Cormac McCarthy’s The Passenger and Stella Maris gave him a much better and clearer picture of both the man and the Manhattan Project than this entire three-hour movie did, and I’d agree heartily.",
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"quote": "Not very compelling to watch. I lost attention quickly. I usually love historical films and the director Nolan. But the scenes move along so fast with the pacing. feels like TENET. Just moving and jumping to each scene. Lots of dramatic romance and friendships that feels hollow and no attachment. No building of relationships. I have no attachment to anyone.",
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"quote": "Director Christopher Nolan repeated the same mistakes he made when directing TENET, and extended it to three full hours of boredom. The loud and tiring soundtrack and diegetic sounds drown out any important dialogue; the pacing is messy; the theme is lackluster; overall, aside from two or three significant scenes, everything else about the film makes it a typical, shallow, prolific actor-filled attempt at something meaningful. Nolan does not have the insight or tools to make a historical film of this scale. His film adds nothing to the legacy of J. Robert Oppenheimer.",
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"quote": "Overrated movie, don't understand the high score on IMDB. Not only was the editing horribly done and confusing, the message of the movie was highly politically biased and is basically propaganda. The movie was way too long and could have been 2 hours. And ofcourse it wouldn't be a Hollywood film if there were no misplaced sex scenes involved. The dropping of the bomb on Japan on none civilian targets was basically genocide and a war crime, but the movie didn't touch upon this subject. Also the movie fail to mention that Admiral Chester Nimitz who was in command of the pacific fleet campaign against Japan, wrote a petition to Harry S Truman personally not to use the bomb as the Japanese were about to surrender anyways. However Japan wanted to surrender to Russia under conditions. USA wanted Japan to surrender to USA unconditionally. The dropping of the bomb was therefore politically motivated and was not necessary. This is a failed opportunity of Nolan to clarify history and make this topic relevant that USA should never have built this bomb and use it and basically committed war crimes while doing so, but instead make it anti communist movie instead. The communist threat that never existed. Vietnam became a moderate country, and China is more capitalist than any western nations. The Soviet Russians became democratic and that worked out of them alot, NOT. Russia under a democracy became more military aggressive than during the Soviets communist era. Since democracies have conducted more wars the past few decades than communism, this checks out.",
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"quote": "A very poor piece of filmmaking. You're blasted in the face with heavy handed dialogue constantly. Lots of exposition from the get-go. The dialogue is rapid fire between characters, feeling absolutely robotic and unrelenting. Mechanical and superfluous exposition. It does, however, get better towards the end of the film. 1.5 hours too long. You can walk away for 15-20 minutes at a time several times and you will miss nothing. I do not understand why many directors in the past 15 years have refused to leave anything on the cutting room floor, often ruining otherwise good films. Constant, and I mean constant, tension-building music. You'd think nearly every scene was the climax of the movie. It gets old quick and totally destroys the ability of any music to mean anything during the entire film. The B story about Oppenheimer's affair failed to drum up even a single bit of emotion for either Oppenheimer, his wife, or his mistress. The mistress' character and dialogue were so contrived as to be absolutely cringe inducing. I cringed during every scene involving her and could not wait for the scenes to be over. Honestly, they were that bad. RDJ did not fit at all the role of a Navy Admiral turned bureaucrat. He played the character as if he were playing Iron Man. Not a good casting choice. And, most importantly, the main plot consists of focusing on the bureaucratic investigation of Oppenheimer for his suspected communist ties. It is executed poorly and is completely unengaging. A man helps invent one of the most perverse things in human history, and all we get is a couple dried out aphorisms about that, and a whole heap of \"but what about my SECURITY CLEARANCE?\" Yes. That's the climax of the movie about the inventor of nuclear weapons. Oppenheimer doesn't receive a renewal of his security clearance. Boring, forgettable, with almost no redeeming qualities besides Murphy's acting, some well done tension leading up to the A bomb test detonation, and the VFX. If it's captivating Los Alamos stories you want, go listen to Feynman on YouTube. If it's a supremely effective and enjoyable narrative about bureaucracy and nuclear war you want, go watch Dr. Strangelove. Skip Oppenheimer. It'll make you wish you had a time machine so you could transport yourself back to ground zero at Hiroshima, 1945 and get absolutely obliterated.",
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"quote": "Three hours of star cast with a completely confusing, boring plot. Somehow edited together with constant time jumps. Exciting background music constantly announces a finale that never comes. For me, this was one of the worst filmed biographies I have seen. After Dunkirk and Tenet, the next completely messed up Nolan film.",
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